Search results
Results From The WOW.Com Content Network
Parallel cinema, or New Indian Cinema, is a film movement in Indian cinema that originated in the state of West Bengal in the 1950s as an alternative to the mainstream commercial Indian cinema. Inspired by Italian Neorealism , Parallel Cinema began just before the French New Wave and Japanese New Wave , and was a precursor to the Indian New ...
Event cinema sometimes called alternative content cinema or livecasts refers to the use of movie theaters to display a varied range of live and recorded entertainment excluding traditional films, such as sport, opera, musicals, ballet, music, one-off TV specials, current affairs, comedy and religious services.
Hum (transl. We) is a 1991 Indian Hindi-language action crime film directed by Mukul S. Anand.It stars Amitabh Bachchan, Rajinikanth, Govinda, Kimi Katkar, Deepa Sahi, Shilpa Shirodkar, Danny Denzongpa, Anupam Kher and Kader Khan.
Indian cinema is composed of various language film industries. Films are often remade in other languages, examples being Nuvvostanante Nenoddantana (2005, Telugu) and Chachi 420 (1997, Hindi). Films are also dubbed into other languages and released with localised titles either on the same release date or at a later date.
Hindi cinema, popularly known as Bollywood and formerly as Bombay cinema, [1] refers to the film industry based in Mumbai, engaged in production of motion pictures in Hindi language. The popular term Bollywood is a portmanteau of "Bombay" (former name of Mumbai) and " Hollywood ".
This book describes the sacred idea of performance art. According to the book Bollywood: A Guidebook to Popular Hindi Cinema, Indian films have their roots in an old Indian Aesthetics theory, which is the Natyashastra, where they use the concepts of rasa and bhava to explain how emotions work. Rasa translates as "flavor". [8]
Tamil version had T. S. Balaiah and A. Karunanidhi enacting the role of Prahlad's mentors and Rajendra Nath and Dhumal portrayed the same roles in its Hindi version 1974 Vayanadan Thampan: A. Vincent: Malayalam Pyasa Shaitan (Hindi) Hindi version directed by Joginder; additional footage reshot 1977 Aadu Puli Attam: S. P. Muthuraman: Tamil
The movement was popularly known as 'short film movement', and later as 'alternative film movement'. The movement took shape after the critical and commercial success of Agami by Morshedul Islam and Hooliya (Wanted) 1984) by Tanvir Mokammel. Agami got the silver peacock in the best director category in Delhi International Film Festival.