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  2. Tuned exhaust - Wikipedia

    en.wikipedia.org/wiki/Tuned_exhaust

    A 4-2-1 exhaust system is a type of exhaust manifold for an engine with four cylinders per bank, such as an inline-four engine or a V8 engine. The layout of a 4-2-1 system is as follows: four pipes (primary) come off the cylinder head , and merge into two pipes (secondary), which in turn finally link up to form one collector pipe.

  3. List of guitar tunings - Wikipedia

    en.wikipedia.org/wiki/List_of_guitar_tunings

    Standard seven-string tuning with the low E dropped to D, which results in a minor 3rd interval between the two lowest strings of B and D. Used by Ed Sloan of Crossfade. Also used by Animals as Leaders on the song "CAFO". A flat variation of this tuning is used by Periphery on the song "Racecar". Drop D + A 7-string tuning – A'-D-A-d-g-b-e'

  4. List of pitch intervals - Wikipedia

    en.wikipedia.org/wiki/List_of_pitch_intervals

    The extremes of the meantone systems encountered in historical practice are the Pythagorean tuning, where the whole tone corresponds to 9:8, i.e. ⁠ (3:2) 2 / 2 ⁠, the mean of the major third ⁠ (3:2) 4 / 4 ⁠, and the fifth (3:2) is not tempered; and the 1 ⁄ 3-comma meantone, where the fifth is tempered to the extent that three ...

  5. Muffler - Wikipedia

    en.wikipedia.org/wiki/Muffler

    Silencer (silver) and exhaust pipe on a Ducati motorcycle A silencer cut open to show the insulation, chambers and piping inside the shell. A muffler (North American and Australian English) [1] or silencer (British English) is a device for reducing the noise emitted by the exhaust of an internal combustion engine—especially a noise-deadening device forming part of the exhaust system of an ...

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  7. Harmonic series (music) - Wikipedia

    en.wikipedia.org/wiki/Harmonic_series_(music)

    The lowest combination tone (100 Hz) is a seventeenth (two octaves and a major third) below the lower (actual sounding) note of the tritone. All the intervals succumb to similar analysis as has been demonstrated by Paul Hindemith in his book The Craft of Musical Composition , although he rejected the use of harmonics from the seventh and beyond.