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All-fifths tuning. Among guitar tunings, all-fifths tuning refers to the set of tunings in which each interval between consecutive open strings is a perfect fifth. All-fifths tuning is also called fifths, perfect fifths, or mandoguitar. [1] The conventional "standard tuning" consists of perfect fourths and a single major third between the g and ...
New standard tuning (NST) is an alternative tuning for the guitar that approximates all-fifths tuning.The guitar's strings are assigned the notes C2-G2-D3-A3-E4-G4 (from lowest to highest); the five lowest open strings are each tuned to an interval of a perfect fifth {(C,G),(G,D),(D,A),(A,E)}; the two highest strings are a minor third apart (E,G).
The tenor guitar or four-string guitar is a slightly smaller, four-string relative of the steel-string acoustic guitar or electric guitar. The instrument was initially developed in its acoustic form by Gibson and C.F. Martin so that players of the four-string tenor banjo could double on guitar.
Guitar, tenor: 4 strings 4 courses. Standard C 3 • G 3 • D 4 • A 4. Common Alternates G 2 D 3 A 3 E 4; G 2 D 3 A 3 D 4; US Same tuning as tenor banjo, mandola. Guitar, terz: 6 strings 6 courses. G 2 C 3 F 3 B ♭ 3 D 4 G 4: Tertz Guitar, Tierce Guitar, Third Guitar Italy, Germany A minor third higher than standard guitar tuning. Guqin: 7 ...
The pitches of open strings on a violin. Play ⓘ. In music, the term open string refers to the fundamental note of the unstopped, full string.. The strings of a guitar are normally tuned to fourths (excepting the G and B strings in standard tuning, which are tuned to a third), as are the strings of the bass guitar and double bass.
Pythagorean tuning was a system of just intonation that tuned every note in a scale from a progression of pure perfect fifths. This was quite suitable for much of the harmonic practice until then ( See: Quartal harmony ), but in the Renaissance, musicians wished to make much more use of Tertian harmony .
Jazz guitarist Carl Kress used a variation of all-fifths tuning—with the bottom four strings in fifths, and the top two strings in thirds, resulting in B ♭ 1 –F 2 –C 3 –G 3 –B 3 –D 4. This facilitated tenor banjo chord shapes on the bottom four strings and plectrum banjo chord shapes on the top four strings.
This is seen, for example, in melodic minor scale harmony, which is based on the seven rotations of the ascending melodic minor scale, yielding some interesting scales as shown below. The "chord" row lists tetrads that can be built from the pitches in the given mode [ 80 ] (in jazz notation , the symbol Δ is for a major seventh ).