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  2. Fingerstyle guitar - Wikipedia

    en.wikipedia.org/wiki/Fingerstyle_guitar

    Fingerstyle guitar is the technique of playing the guitar or bass guitar by plucking the strings directly with the fingertips, fingernails, or picks attached to fingers, as opposed to flatpicking (plucking individual notes with a single plectrum, commonly called a "pick"). The term "fingerstyle" is something of a misnomer, since it is present ...

  3. Living and Dying in 3/4 Time - Wikipedia

    en.wikipedia.org/wiki/Living_and_Dying_in_3/4_Time

    The album contains two cover songs: "Ballad of Spider John" written and originally performed by Willis Alan Ramsey and "God's Own Drunk" by Lord Buckley. Buffett's version of "Ballad of Spider John" is missing some of the lyrics of the original, although he has included these in concert renditions.

  4. Guitar picking - Wikipedia

    en.wikipedia.org/wiki/Guitar_picking

    Flatpicking is a technique for playing a guitar using a guitar pick held between two or three fingers to strike the strings. The term flatpicking occurs with other instruments, but is probably best known in the context of playing an acoustic guitar with steel strings —particularly in bluegrass music and old-time country music .

  5. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.

  6. Barre chord - Wikipedia

    en.wikipedia.org/wiki/Barre_chord

    The E-type barre chord is an E chord shape (022100) barred up and down the frets, transposing the chord. For example, the E chord barred one fret up becomes an F chord (133211). The next fret up is F ♯, followed by G, A ♭, A, B ♭, B, C, C ♯, D, E ♭, and then back to E (1 octave up) at fret twelve.

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  9. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.