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A more comprehensive collection, with tracks from both record labels, was the 2000s The Very Best of Badfinger. [129] In 2013, a new compilation titled Timeless was issued by EMI/Universal both to capitalise on the use of "Baby Blue" in the finale of Breaking Bad and to include the 2010 remastered versions of Badfinger's songs on a greatest ...
I Can Love You (Badfinger song) I Can't Believe In; I Can't Take It (Badfinger song) I Don't Mind (Badfinger song) I Got You (Badfinger song) I Miss You (Badfinger song) I'd Die Babe; I'll Be the One (Badfinger song) I'm in Love (Badfinger song) I've Been Waiting (The Iveys song) Icicles (Badfinger song) In the Meantime (Badfinger song) Island ...
Roberts called it Badfinger's signature song. [11] Classic Rock critic Rob Hughes rated it as Badfinger's 3rd greatest song, saying that the band "added lustrous three-part harmonies" to McCartney's original. [12] In 1978 a re-formed version of Badfinger re-recorded "Come and Get It" for K-tel Records, with Evans again
and "Dennis", among Badfinger's top 10 songs. [6] Hughes said of "Dennis" "This stately pop-rock beauty, from Badfinger’s most underrated album, remains one of Pete Ham’s very finest pieces, from its elegant intro to its extended fadeout" and said that it is "essentially a warning about the potholes of life" and "an affirmative love song ...
Classic Rock critic Rob Hughes rated "Day After Day" as Badfinger's greatest song, due to the "unassailable melody, plaintive vocals and lovestruck sentiment" as well as Harrison's "wonderful slide solo." [11] Ultimate Classic Rock critic Michael Gallucci rated it as Badfinger's 2nd best song, highlighting Harrison's "distinctive guitar playing."
[2] Classic Rock History critic Janey Roberts rated it as Badfinger's 10th best song, calling it "a great Badfinger song written by Mr. Peter Hamm" despite being overshadowed by the singles released from the album. [5] Goldmine critic Bill Kopp included "Name of the Game" as one of "5 wrongfully overlooked Badfinger songs." [6]
The song is notable for being one of the first successful records associated with the power pop sound, using all of the elements attributed to the genre. A subsequent single released by Badfinger, "Baby Blue" (Billboard number 14, 1972), along with several album tracks in a similar vein, succeeded in categorizing the band themselves as power pop.
The Nilsson version was included in 2021's Rolling Stone ' s 500 Greatest Songs of All Time. [3] Paul McCartney once described it as "the killer song of all time". [4] In 1972, writers Ham and Evans received the British Academy's Ivor Novello Award for Best Song Musically and Lyrically. [5]