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Magneto (/ m æ ɡ ˈ n iː t oʊ /; birth name: Max Eisenhardt; alias: Erik Lehnsherr German pronunciation: [ˈeːʁɪk ˈleːnshɛʁ] and Magnus; Auschwitz tattoo: 214782) is a character appearing in American comic books published by Marvel Comics, commonly in association with the X-Men.
When Magneto time-traveled 20 years into the future to escape an attack, he found a city in ruins and statues of himself all around. He was greeted by mutants who saw him as a savior. He was also greeted by the time-displaced X-Men, who say Magneto is beyond redemption and that they should have stopped him when they had the chance. [51]
Some exceptions apply to "sapiens" who live with privileges like Carol Danvers (Ms. Marvel in Earth-616 continuity, but Captain Marvel in the World of M) and Peter Parker . Danvers is widely known to be a "sapiens," while Spider-Man is believed by the House of M world at large to be a mutant.
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This truce soon grew into a formal alliance as Storm and Magneto, as the leaders of the X-Men and Xavier's school respectively, took over the shared position of White King. [4] Storm - White King (with Magneto) Magneto - White King, later Grey King; Storm and the X-Men would later seemingly die, leaving Magneto alone to deal with the Inner Circle.
The Horsemen of Apocalypse appear in Marvel Contest of Champions, consisting of Psylocke, Gambit, Wolverine, and Archangel. The Horsemen of Apocalypse appear in Marvel Realm of Champions, consisting of Archangel / War, Psylocke / Plague, Magneto / Death, and Storm / Famine. This version of the group each rule over lands named after their ...
Resurrection of Magneto is a four-issue comic book limited series written by Al Ewing and drawn by Luciano Vecchio, published by Marvel Comics in 2024 and starring Storm and Magneto. It was part of the Fall of X storyline during the Krakoan Age of the X-Men .
Tim Webber, reviewing Trial of Magneto #5 for CBR, wrote: "Before most of Marvel's X-Men titles relaunch next year, X-Men: The Trial of Magneto #5, brings several long-gestating X-Men plot points to an understated but satisfying end. [...] Although Magneto almost feels like an afterthought here, the comic ably covers a lot of ground well.