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Rumba flamenca, also known as flamenco rumba or simply rumba (Spanish pronunciation:), is a palo (style) of flamenco music developed in Andalusia, Spain. It is known as one of the cantes de ida y vuelta (roundtrip songs), music which diverged in the new world, then returned to Spain in a new form. The genre originated in the 19th century in ...
In the 1970s and 80s, salsa, blues, rumba and other influences were added to flamenco, along with music from India. Ketama 's 1988 debut, Ketama , was especially influential. At the beginning of the 1990s, the Madrid label Nuevos Medios became closely associated with the new flamenco fusion music, which came to be called nuevo flamenco.
In 1996 the novel Puerto Vallarta Squeeze, by Robert James Waller, was released.Waller, a fan of the duo's music, wrote Willie and Lobo into the story. The Willie and Lobo CD, The Music of Puerto Vallarta Squeeze was released at the same time and includes tracks from their albums Gypsy Boogaloo, Fandango Nights and Between the Waters.
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Guitar Music For Small Rooms (1997) Gypsy Passion: New Flamenco (1997) Gypsy Soul: New Flamenco (1998) Gypsy Fire (2000) Guitar Greats: The Best of New Flamenco - Volume I (2000) (Baja/TSR Records) Camino Latino / Latin Journey - Liona Maria Boyd (2002) (Moston) The World Of The Spanish Guitar Vol. 1 (2011) (Higher Octave Music)
"Entre dos Aguas" is an instrumental flamenco rumba created by the Spanish guitarist Paco de Lucía, included as the first single on the album Fuente y caudal (1973). [1] It was recorded with two guitars (the second played by his brother Ramón de Algeciras ), with a bass and a bongo played by Pepe Ébano instead of the traditional palmas ...
Manitas de Plata was the uncle of Diego, Paco, and Tonino Baliardo, and cousin to Pablo, François (Canut), Patchaï, Nicolas, and André Reyes (the sons of his cousin, flamenco artist José Reyes, with whom he performed as a duo in the 1970s), all current or former members of the Catalan rumba band Gipsy Kings.
Pepe Romero was born in Spain, the second son of celebrated guitarist and composer Celedonio Romero, who was his only guitar teacher.His first professional appearance was in a shared concert with his father at the Teatro Lope de Vega, Seville, when Pepe was only seven years old, [1] [2] playing a gavotte by Bach and Sevilla by Albéniz. [3]