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Libretto, 1926. Turandot (Italian pronunciation: [1] [2] or [turanˈdɔt] ⓘ; [3] [4] see below) is an opera in three acts by Giacomo Puccini to a libretto in Italian by Giuseppe Adami and Renato Simoni.
Turandot (BV 273) is a 1917 opera with spoken dialogue and in two acts by Ferruccio Busoni. Busoni prepared his own libretto, in German, based on the play of the same name by Count Carlo Gozzi . The music for Busoni's opera is based on the incidental music , and the associated Turandot Suite ( BV 248 ), which Busoni had written in 1905 for a ...
Turandot, 1859 steelpoint engraving by Arthur von Ramberg, from a collection of characters from Schiller. [1] Yevgeny Vakhtangov's production of Turandot in 1922.. Turandot (1762) is a commedia dell'arte play by Count Carlo Gozzi after a supposedly Persian story from the collection Les Mille et un jours (1710–1712) by François Pétis de la Croix (not to be confused with One Thousand and One ...
The Turandot Suite, Op. 41 (BV 248) is an orchestral work by Ferruccio Busoni written in 1904–5, based on Count Carlo Gozzi's play Turandot. The music – in one form or another – occupied Busoni at various times between the years 1904–17.
His orchestral music consisted of a Concert Overture in E minor and a Geistliches Tonstück. He started work on an opera, Die Erbin von Montfort in 1864-65, but did not finish it. After his death, Wilhelm Kienzl adapted the music to a new libretto, Turandot, written by Jensen's daughter Elsbeth, who wrote under the pseudonym "Egbert Jensen". [5 ...
" Nessun dorma" (Italian: [nesˌsun ˈdɔrma]; English: "Let no one sleep") [1] is an aria from the final act of Italian composer Giacomo Puccini's opera Turandot (text by Giuseppe Adami and Renato Simoni) and one of the best-known tenor arias in all opera.
Lustspiel Overture (Busoni) T. Turandot Suite This page was last edited on 15 May 2024, at 03:46 (UTC). Text is available under the Creative Commons Attribution ...
Ultimately Franco Alfano was chosen to complete Turandot. In 1935 Zandonai became the director of the Rossini Conservatory in his beloved Pesaro. There he revived some works of Rossini, such as Il viaggio a Reims and the overture for Maometto secondo. In 1941 he re-orchestrated La gazza ladra, reducing it to three acts.