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It was built around the spinning reflex twin-bladed "butterfly" mirror shutter designed by Erich Kästner, chief engineer at Arnold & Richter Cine Technik (ARRI), Arri Group, set at 45 degrees horizontally to the lens axis. This mirror reflex system was invented in 1931. [1]
The Arri 765 is a 65 mm camera with a 5-perforation pull-down mechanism. The mirror reflex shutter is manually adjustable between 180° and 15° and has a diameter of 200 mm. The camera can record between 2 and 100 fps, the motors can run both in forward and reverse mode.
Arriflex 435ES. Arri debuted two models of the 435 in 1995: the 435 and 435ES. The latter is suffixed ES to denote electronic shutter capabilities; this means that the shutter angle is able to be continuously electronically adjusted, even while the camera is running, and set to any angle within a specific range (11.2° to 180°) to a great deal of precision (0.1°).
In 1952, Arri introduced the Arriflex 16ST, the first professional 16mm camera with a reflex viewing system. [15] [11] [16] [17] In 1965, a self-blimped 16mm camera was released: the Arriflex 16BL. [18] The Arriflex 35BL followed in 1972 as a lightweight, quiet alternative to the rather heavy and cumbersome blimped cameras of the time. [19]
The Arriflex 535 is a movie camera product line created by Arri in 1990 to replace the Arriflex 35 BL line.. As such, its potential applications are widespread, and thus it is regularly used as a primary camera on feature films, second unit work on features, on music videos, commercials, special effects work and motion control, among other usage.
Like earlier models, the ARRI 16ST was built around the spinning reflex twin-bladed "butterfly" mirror shutter designed by Erich Kästner, chief engineer at Arnold & Richter Cine Technik (ARRI), Arri Group, set at 45 degrees horizontally to the lens axis. It uses a 3-lens turret with ARRI standard mounts. The viewfinder is located on the gate door.
It is built around the spinning reflex twin-bladed "butterfly" mirror shutter, set at 45 degrees horizontally to the lens axis. It is self blimped and measures 31 dB while running, at a 3 ft distance from the camera. [1] The 16BL introduced the ARRI Bayonet lens mount, which was also used in later cameras.
Arri PL (Super 35 compatible) Lens control: Arri-style follow focus. Integrated Lens Data System (LDS) and Lens Control System (LCS). Shutter: electronic reflex mirror; Can adjusted between 0° and 180° while in standby; rampable between 11.2° and 180° while running. Fully adjustable within 0.1° increments.