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Modern standard models have a maximum shutter exposure opening of 165 degrees, (not 180 degrees as claimed in Arri manuals), the 35 IIC-BV model having a variable shutter. The mirror shutter allows the camera operator to see a viewfinder image equal to the recorded picture, without parallax, although there is noticeable image flicker in the ...
The Arriflex 16SR is a motion ... The small 180 degree single-blade "half moon" mirror shutter always stops in the closed position (other Arri 16mm cameras, the 16 BL ...
The Arriflex 765 is a 65 mm movie camera created by Arri in 1989. ... The mirror reflex shutter is manually adjustable between 180° and 15° and has a diameter of ...
The functionality is similar to the Arriflex 16M. It is built around the spinning reflex twin-bladed "butterfly" mirror shutter, set at 45 degrees horizontally to the lens axis. It is self blimped and measures 31 dB while running, at a 3 ft distance from the camera. [1]
The Arriflex 16ST, also Arriflex 16S, is a 16mm MOS production motion picture camera released in 1952 by ARRI. The camera utilizes a voltage of 8.4 volts DC The camera utilizes a voltage of 8.4 volts DC
Arriflex 435ES. Arri debuted two models of the 435 in 1995: the 435 and 435ES. The latter is suffixed ES to denote electronic shutter capabilities; this means that the shutter angle is able to be continuously electronically adjusted, even while the camera is running, and set to any angle within a specific range (11.2° to 180°) to a great deal of precision (0.1°).
Shutter: reflex mirror; manual model stops at 11.2°, 22.5°, 30°, 45°, 60°, 75°, 90°, 105°, 120°, 135°, 144°, 172.8° and 180°, all other models can be adjusted continuously between 11.2° and 180° while either running or in standby mode: Viewfinder
The Arriflex 535 is a movie camera product line created by Arri in 1990 to replace the Arriflex 35 BL line.. As such, its potential applications are widespread, and thus it is regularly used as a primary camera on feature films, second unit work on features, on music videos, commercials, special effects work and motion control, among other usage.