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On 13 July 1788, the 39-year-old Goethe met the 23-year-old Vulpius in the Park an der Ilm, where she handed him a petition on behalf of her brother Christian August. Goethe later advocated several times for his future brother-in-law. That summer, Goethe and Vulpius began a passionate love affair.
The Roman Elegies (originally published under the title Erotica Romana in Germany, later Römische Elegien) is a cycle of twenty-four poems by Johann Wolfgang von Goethe. They reflect Goethe's Italian Journey from 1786 to 1788 and celebrate the sensuality and vigour of Italian and Classical culture.
Et in Arcadia ego [1]. Italian Journey initially takes the form of a diary, with events and descriptions written up apparently quite soon after they were experienced. The impression is in one sense true, since Goethe was clearly working from journals and letters he composed at the time – and by the end of the book he is openly distinguishing between his old correspondence and what he calls ...
Christian August Vulpius (23 January 1762 – 25 June 1827) was a German novelist and dramatist. [1] His sister married the noted German writer Johann Wolfgang von Goethe . Biography
The chapter begins with description of the affinity map (reaction map) or 'topographical chart' as Goethe calls it. On this reaction map, we are told that on it 'the features of the estate and its surroundings were clearly depicted, on quite a large scale, in pen and in different colors, to which the Captain had give a firm basis by taking ...
As a person with extreme flight anxiety, I spoke to aviation experts and got some insight on some things to keep in mind next time you're on a plane
The first part of Faust is not divided into acts, but is structured as a sequence of scenes in a variety of settings. After a dedicatory poem and a prelude in the theatre, the actual plot begins with a prologue in Heaven, where the Lord bets Mephistopheles, an agent of the Devil, that Mephistopheles cannot lead astray the Lord's favourite striving scholar, Dr. Faust.
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.