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The Last Supper (Italian: Il Cenacolo [il tʃeˈnaːkolo] or L'Ultima Cena [ˈlultima ˈtʃeːna]) is a mural painting by the Italian High Renaissance artist Leonardo da Vinci, dated to c. 1495–1498, housed in the refectory of the Convent of Santa Maria delle Grazie in Milan, Italy.
The Last Supper was almost completely lost on August 16, 1943, at the height of World War II in Italy, [16] when a Royal Air Force bomb struck Santa Maria delle Grazie, destroying the roof of the refectory and demolishing other nearby spaces. [16] The Last Supper had been protected by sandbags, mattresses, and pillows, saving it from ...
Theories of the Postmodern: 55–66. Surrealism Without the Unconscious: 67–96. Spatial Equivalents in the World System: 97–129. Reading and the Division of Labor: 131–153. Utopianism After the End of Utopia: 154–180. Immanence and Nominalism in Postmodern Theoretical Discourse: 181–259. Postmodernism and the Market: 260–278.
The Last Supper has been a popular subject in Christian art. [1] Such depictions date back to early Christianity and can be seen in the Catacombs of Rome. Byzantine artists frequently focused on the Apostles receiving Communion, rather than the reclining figures having a meal. By the Renaissance, the Last Supper was a favorite topic in Italian ...
The Last Supper refers to the final meal that Jesus Christ shared with his 12 apostles before he was crucified. It’s also a popular subject in Christian art, most famously depicted by da Vinci ...
In 1995, the landscape architect and urban planner Tom Turner issued a book-length call for a post-postmodern turn in urban planning. [13] Turner criticizes the postmodern credo of "anything goes" and suggests that "the built environment professions are witnessing the gradual dawn of a post-Postmodernism that seeks to temper reason with faith."
The Last Supper mosaic (Vienna). Giacomo Raffaelli (February 2, 1753 - October 11, 1836) was an Italian mosaicist from Rome. He is the author of a copy of Leonardo da Vinci's Last Supper commissioned by Napoleon I. [1] The mosaic resides at Vienna in the Minoritenkirche.
These texts, Kirby says, lack the self-aware irony that postmodernism was known for. Kirby's essay forms part of a growing movement that emerged in the late 2000s and seeks to chart cultural developments in the aftermath of postmodernism, such as Nicolas Bourriaud's Altermodern (an exhibition at Tate Britain in 2009) and Raoul Eshelman's ...