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The Lesser Panathenaia, a sister-event to the Great Panathenaia, was held every year with 3 to 4 days shorter in celebration. The competitions were the most prestigious games for the citizens of Athens, but not as important as the Olympic Games or the other Panhellenic Games. The Panathenaea also included poetic and musical competitions.
The Knights (Ancient Greek: Ἱππεῖς Hippeîs; Attic: Ἱππῆς) was the fourth play written by Aristophanes, who is considered the master of Old Comedy.The play is a satire on the social and political life of classical Athens during the Peloponnesian War, and in this respect it is typical of all the dramatist's early plays.
For instance, Zeus was the sky-god, sending thunder and lightning, Poseidon ruled over the sea and earthquakes, Hades projected his remarkable power throughout the realms of death and the Underworld, and Helios controlled the sun. Other deities ruled over abstract concepts; for instance Aphrodite controlled love. All significant deities were ...
19th century engraving of the Colossus of Rhodes. Ancient Greek literary sources claim that among the many deities worshipped by a typical Greek city-state (sing. polis, pl. poleis), one consistently held unique status as founding patron and protector of the polis, its citizens, governance and territories, as evidenced by the city's founding myth, and by high levels of investment in the deity ...
Poseidon produced a spring by striking the ground with his trident, [5] symbolizing naval power. The contest of Athena and Poseidon, West Pediment of the Parthenon. Athena created the olive tree, symbolizing peace and prosperity. The Athenians, under their ruler Cecrops, accepted the olive tree and named the city after Athena.
National Archaeological Museum Athens. I begin to sing about Poseidon, the great god, mover of the earth and fruitless sea god of the deep who is also lord of Helicon [57] and wide Aegae. A two-fold office the gods allotted you, O Shaker of the Earth, to be a tamer of horses and a saviour of ships! Hail, Poseidon, Holder of the Earth, dark ...
Oedipus at Colonus: Sophocles, Athens, and the World. Untersuchungen zur antiken Literatur und Geschichte 87. Berlin and New York: De Gruyter. Rosenmeyer, T. G. 1952. "The Wrath of Oedipus." Phoenix 6:92–112. Saïd, S. 2012. "Athens and Athenian Space in Oedipus at Colonus." In Crisis on Stage: Tragedy and Comedy in Late Fifth-Century Athens.
The author regards the Athenians as having lived in scattered independent settlements in Attica; but at some time after Theseus, they changed residence to Athens, which was already populated. A plot of land below the Acropolis was called "Pelasgian" and was regarded as cursed, but the Athenians settled there anyway. [66]