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Chitralekha is a 1934 Hindi novel by the Indian novel writer Bhagwati Charan Verma about the philosophy of life, love, sin and virtue. It is said to be modelled on Anatole France's 1890 novel Thaïs but set in India. [1] However, the author noted in the book's preface:
[12] [13] Vedanta is concerned with the jñānakāṇḍa or knowledge section of the vedas which is called the Upanishads. [ 14 ] [ 15 ] The meaning of Vedanta expanded later to encompass the different philosophical traditions that interpret and explain the Prasthanatrayi in the light of their respective views on the relation between humans ...
The Vākyapadīya, also known as Trikāṇḍī (three books), is an Indian linguistic treatise on the philosophy of language, grammar, and semantics. It is divided into 3 main sections (or kāṇḍa): Brahma-kāṇḍa (Book of Brahman), Vākya-kāṇḍa (Book of Sentences), and Pada-kāṇḍa (Book of Words), and contains about 635 verses.
Hinduism is an ancient religion, with denominations such as Shaivism, Vaishnavism, Shaktism, among others. [1] [2] Each tradition has a long list of Hindu texts, with subgenre based on syncretization of ideas from Samkhya, Nyaya, Yoga, Vedanta and other schools of Hindu philosophy.
[11] [12] Charvaka developed during the Hindu reformation period in the first millennium BCE, after Buddhism was established by Gautama Buddha and Jainism was re-organized by Parshvanatha. [13] Its teachings have been compiled from historic secondary literature such as those found in the shastras, sutras, and Indian epic poetry. [14]
Hindi literature (Hindi: हिंदी साहित्य, romanized: hindī sāhitya) includes literature in the various Central Indo-Aryan languages, also known as Hindi, some of which have different writing systems. Earliest forms of Hindi literature are attested in poetry of Apabhraṃśa such as Awadhi and Marwari.
Hindu philosophy or Vedic philosophy is the set of philosophical systems that developed in tandem with the first Hindu religious traditions during the iron and classical ages of India.
She significantly impacted Hindi literature by refining the language and infusing poetry with heartfelt acceptance of Indian philosophy. Her unique blend of emotional intensity, lyrical simplicity, and evocative imagery, along with her contributions as a translator and scholar, solidified her position as a leading figure of the Chhayavad movement.