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Concrete Aboriginal: a lawn ornament once common in Australia. Concrete goose: a popular lawn ornament in the United States. A front lawn featuring an International Truck is an example of "found object art". Elephant ears and sunflowers were purposely planted to adorn the antique farm equipment on this US lawn.
The putto stands with his left leg forward, supporting on his left hip a woven basket filled with blossoms. His right hand holds a cluster of large buds. The figure is clad in a cloth wrapped around his waist and rolled at the upper edge for support, and on his head he wears an anadem (wreath) of blossoms.
Concrete Decor, the world's foremost magazine on decorative concrete has been a instrumental source of information, ideas, product news and training relevant to both commercial and residential work in decorative concrete and related specialties. The majority of its readers are contractors and the publication enjoys a high pass-along readership.
The rough texture of the face is created by running the concrete across a cast-iron face plate or by using a plaster mold taken from a cut stone block. [3] This process of texturing concrete block was streamlined by an inventor named Harmon S. Palmer who created a machine that combined the processes of texturing and forming the concrete blocks.
In architecture and decorative art, ornament is decoration used to embellish parts of a building or object. Large figurative elements such as monumental sculpture and their equivalents in decorative art are excluded from the term; most ornaments do not include human figures, and if present they are small compared to the overall scale.
Rustic coffee table with cedar and mountain laurel branches. The rustic furniture movement developed during the mid- to late-1800s. John Gloag in A Short Dictionary Of Furniture says that "chairs and seats, with the framework carved to resemble the branches of trees, were made in the middle years of the 18th century, and there was a popular fashion for this naturalistic rustic furniture" in ...
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