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A Corpus of Rembrandt Paintings V (The Small-Scale History Paintings). van de Wetering, Ernst (Ed.). Springer. 2010. ISBN 978-1-4020-4607-0. A Corpus of Rembrandt Paintings VI: Rembrandt’s Paintings Revisited – A Complete Survey. Ernst van de Wetering. Springer. 2014. ISBN 978-9-4017-9173-1.
Sheet with two studies: a tree, and the upper part of a head of the artist wearing a velvet cap: Between 1640 and 1644 B043: 4: The angel departing from the family of Tobias: 1641 B061: 1: Virgin and child in the clouds: 1641 B098: 2: The baptism of the eunuch: 1641 B114: 2: The large lion hunt: 1641 B118: 2: Three oriental figures [Jacob and ...
The Sacrifice of Isaac (Rembrandt) The Sacrifice of Isaac (Studio of Rembrandt) Saint Bartholomew (Rembrandt) Saint Matthew and the Angel (Rembrandt) Samson and Delilah (Rembrandt) Samson Threatening His Father-In-Law; Saul and David (painting) The Senses (Rembrandt) Simeon in the Temple; Slaughtered Ox; Still Life with Peacocks; The Stone Bridge
Extensive tests revealed changes that Rembrandt had made to the painting. - Sotheby's. The monochromatic painting, which measures 9.6 x 7.3 inches, was purchased by an anonymous buyer for € ...
Red and black chalk: 20.6 x 16.1 cm: Musée du Louvre, Paris: Related to lost painting reproduced in a print dated 1631 by Jan van Vliet Seated Old Man: c. 1630: Red and black chalk: 14.5 x 14.3 cm: Nationalmuseum, Stockholm: The drawing is related to the etching B325 : Bearded Old Man Seated in an Armchair: 1631: Red chalk on paper: 25 x 17 cm
The Stoning of Saint Stephen is the first signed painting by Dutch artist Rembrandt, made in 1625 at the age of 19. [1] One of his earlier works, it is an oil painting on a wood panel and currently exhibited at the Musée des Beaux-Arts de Lyon.
At one time about ninety paintings were counted as Rembrandt self-portraits, but it is now known that he had his students copy his own self-portraits as part of their training. [9] Modern scholarship, especially the Rembrandt Research Project , has reduced the autograph count to over forty paintings, as well as a few drawings and thirty-one ...
The Three Trees is a 1643 print in etching and drypoint by Rembrandt, his largest landscape print. It was assigned the number B.212 by Adam von Bartsch and impressions of the work are in the Rijksmuseum, the Musée des beaux-arts du Canada and the Bibliothèque nationale de France. [1] [2]