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Wie lieblich sind deine Wohnungen (How lovely are your dwelling places) is a sacred motet for four voices that Johann Hermann Schein, Thomaskantor in Leipzig, composed in 1628, setting verses 2–4 of Psalm 84 in German.
Various lost arrangements by Brahms of other composers' works see [6] for list A. 3/14-19: Various sketches and sketchbooks see [6] for list A. 5a/1-3: Various collections of folk songs, notated by Brahms see [6] for list A. 5a/4-21: Various transcripts of other composers' works, notated by Brahms see [6] for list A. 5b/1-3: Various autograph ...
Fünf Gesänge (Five songs), Op. 104, is a song cycle of five part songs for mixed choir a cappella by Johannes Brahms. Composed in 1888 when Brahms was a 55-year-old bachelor, the five songs reflect an intensely nostalgic and even tragic mood. Brahms has chosen texts which centre on lost youth, summer turning into fall and, ultimately, man's ...
Johannes Brahms included verses 1, 2 and 4 in German, "Wie lieblich sind deine Wohnungen" (How lovely are thy dwellings), as the fourth and central movement of his German Requiem, Ein deutsches Requiem, Op. 45. [36] * Friedrich Kiel set the first 2 verses as No. 3 of his Six Motets, Op. 82, published in 1883.
Geistliches Lied (English: "Sacred Song" or "Spiritual Song"), Op. 30, by Johannes Brahms is an 1856 work for four-part mixed chorus accompanied by organ or piano.The composition is in the form of a double canon set to text by Paul Flemming.
Schubert, Mendelssohn, and Brahms also wrote secular cantatas, the best known of which are Brahms's Schicksalslied and Nänie. A few composers developed a cappella music, especially Bruckner, whose masses and motets startlingly juxtapose Renaissance counterpoint with chromatic harmony. Mendelssohn and Brahms also wrote significant a cappella ...
Holy and great God), [1] the soul answers with a paraphrase of the opening line of Psalm 84, "Wie lieblich ist doch deine Wohnung" (How amiable is Thy dwelling), [1] which both Heinrich Schütz and Johannes Brahms set to music, Brahms as the central movement of Ein deutsches Requiem.
Vier ernste Gesänge (Four Serious Songs), Op. 121, is a cycle of four songs for bass and piano by Johannes Brahms. As in his Ein deutsches Requiem , the texts are compiled from the Luther Bible . Three songs deal with death and the transience of life, while the fourth has an outlook of faith, hope and charity .