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Eloise Margaret Wilkin (born Eloise Margaret Burns; March 30, 1904 – October 4, 1987), was an American illustrator. She was best known as an illustrator of Little Golden Books . Many of the picture books she illustrated have become classics of American children's literature.
Emily Stannard and her niece Eloise Harriet Stannard are nowadays considered to be among the most accomplished British women still life painters of the 19th century. [23] According to the art historian and author Josephine Walpole, the quality of Stannard's flower paintings display a "natural talent" and "impeccable colour sense". [13]
Hilary Knight (born November 1, 1926) is an American writer and artist. He is the illustrator of more than 50 books and the author of nine books. He is best known as the illustrator and co-creator of Kay Thompson's Eloise (1955) and others in the Eloise series.
Eloise Harriet Stannard (1829–1915) was a British 19th century painter known for her still life work. She was one of only two notable women artists associated with the Norwich School of painters , Britain's first provincial art movement.
Abigail May Alcott Nieriker (July 26, 1840 – December 29, 1879) was an American artist and the youngest sister of Louisa May Alcott.She was the basis for the character Amy [1] (an anagram of May) in her sister's semi-autobiographical novel Little Women (1868).
Joseph Stannard as a Youth (c.1816) by Robert Ladbrooke (Norfolk Museums Service) . Joseph Stannard was born close to St Andrew's Church, Norwich on 13 September 1797. [15] [16] He was the elder son of Abraham Stannard, who was possibly a musician, and Mary Bell, [17] and was baptised by his parents on 17 September at St Michael-at-Plea, Norwich.
The Wyndham Sisters: Lady Elcho, Mrs. Adeane, and Mrs. Tennant is an 1899 painting by John Singer Sargent. It is part of the collection of the Metropolitan Museum of Art . [ 1 ] The painting was hailed by the critics and dubbed “The Three Graces” by the Prince of Wales (later King Edward VII ).
Courbet first exhibited the work at the Paris Salon in April 1852 entitled The Village Maids give alms to a cowherd in a valley near Ornans.It was immediately bought by the duc de Morny despite a public and press polemic against the work – for example, the art critic Théophile Gautier expressesd reservations and felt the canvas was under-finished, [4] whilst Gustave Planche, Eugène Loudun ...