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Much of the art and the artists creating Chicano Art were heavily influenced by Chicano Movement (El Movimiento) which began in the 1960s. Chicano art was influenced by post- Mexican Revolution ideologies, pre-Columbian art, European painting techniques and Mexican-American social, political and cultural issues. [ 1 ]
The Chicano Movement, also referred to as El Movimiento (Spanish for "the Movement"), was a social and political movement in the United States that worked to embrace a Chicano/a identity and worldview that combated structural racism, encouraged cultural revitalization, and achieved community empowerment by rejecting assimilation.
Favela stated "I was dealing with art forms very foreign to me, always trying to do western art, but there was always something lacking... it was very simple: it was just my Chicano heart wanting to do Chicano art." [252] Other Chicano visual art collectives included Con Safo in San Antonio, which included Felipe Reyes, José Esquivel, Roberto ...
Chicana art emerged as part of the Chicano Movement in the 1960s. It used art to express political and social resistance [1] through different art mediums. Chicana artists explore and interrogate traditional Mexican-American values and embody feminist themes through different mediums such as murals, painting, and photography.
Chicano mural in Clarion Alley Street art in San Francisco, California. A Chicano mural is an artistic expression done, most commonly, on walls or ceilings by Chicanos or Mexican-American artists. Chicano murals rose during the Chicano art movement, that began in the 1960, with the influence of Mexican muralism and the Mexican Revolution. [1]
La Marcha Por La Humanidad, also known as the Chicano Mural, is a mural housed at the University Center on the campus of the University of Houston. In 1973 artist Mario Gonzales and Ruben Reyna painted the mural.
Sam Coronado (October 19, 1946 – November 11, 2013) was a Mexican-American artist, educator, and activist known for his contributions to the Chicano art movement, especially through his work in printmaking.
Esquivel also spent a lengthy period as a wildlife artist between 1973 and 1991, when he withdrew from Chicano art due to its association with radicalism. [2] As a commercial artist, Esquivel worked primarily for City Public Service, San Antonio’s public utility company. By the time he retired in 1987, he was the supervisor of the art ...