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Consuelo is enraged by her son's feelings and decides to separate the children by sending Luis Gustavo to study abroad and putting Esperanza in a school run by nuns. On the other hand, Fermín Requena, Antonio's neighbor and friend, is a widower and has a daughter, Silvia, who is spoiled and self-centered.
Beatriz Aguirre as Doña Salud Rojas vda. de Villavicencio; Joaquín Cordero as Padre Gonzalo; Magda Guzmán as Eva Santana; Aurora Molina as Madre Ángeles; Pilar Pellicer as Dolores "Loló" de la Barcena y de Teresa; Rosa María Bianchi as Dra. Carmen Albán; David Ostrosky as Diego Enrique Castellanos; Ana Bertha Espín as Flor Gutiérrez de ...
Luisa (Francisca Estévez) is a young woman who, by order of her father, will be in an unknown world in order to take revenge on the Roldán family, but soon the affection that Sara (Consuelo Luzardo), her supposed grandmother, will give her and meeting Juan Esteban Osorno (Carlos Torres), the boyfriend of another of Sara's granddaughters, will cause Luisa to enter into a dilemma.
Consuelo Velázquez Torres (August 21, 1916, in Ciudad Guzmán, Jalisco – January 22, 2005, [1] Mexico City), also popularly known as Consuelito Velázquez, [2] was a Mexican concert pianist and composer. She was the composer of famous Mexican ballads such as "Bésame mucho", "Amar y vivir", and "Cachito". [1]
Tal para cual is a Mexican sitcom series and a spin-off of the series La hora pico. [1] The series is produced by Reynaldo López for TelevisaUnivision . [ 2 ] The series follows the lives of Nacaranda ( Consuelo Duval ) and Nacasia (Lorena de la Garza). [ 3 ]
Consuelo Mendiola as Beti; Israel Jaitovich as Gerardo; Sebastián Moncayo as Eduardo; Paco Ibáñez as Federico Ordiales; Amparo Garrido as Amparo; Marco Uriel as Dr. Lapuente; Rafael del Villar as Lawyer Villanueva; Mariana Sánchez as Lucina; Manola Díez as Azela; Alejandro Ávila as Felipe; Martha Aline as Cecilia; Roxana Castellanos as ...
The first piece he composed, the "Consuelo" waltz, was created by him when he was just twenty years old. [ 1 ] The "Tropicales" pieces (subtiled tropical caprices) from Marín Varona, which received an award at the Paris Universal Exposition in 1900, were defined as "real concert dances, marked by the end of the Century creole style".
This telenovela tells the adventures of Victoria a foreign girl who comes to Mexico with the aim of finding a husband, clearly these situations are rare with a dose of melodrama and comedy that gave freshness to the story, despite not being a success equaled the success of the original, this according to critics of the lack of independence between one and the other because they were exactly alike.