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After working with Ray Charles, Coleman started working with B.B. King in 1953, [3] at which point he switched to tenor saxophone. [4] In 1956 Coleman moved to Chicago , along with Booker Little, where he worked with Gene Ammons and Johnny Griffin before joining Max Roach 's quintet (1958–1959).
As a composer, he frequently scored for the saxophone. In chamber music, the most important examples include the Sexteto místico for flute, oboe, alto saxophone, harp, guitar, and celesta (1917), Quarteto simbólico for flute, alto saxophone, harp, celesta and women's voices (1921), the Nonet (1923), Chôros No. 3 and No. 7 (1925 and 1924 ...
Henry Mobley (July 7, 1930 – May 30, 1986) was an American tenor saxophonist and composer. [1] Mobley was described by Leonard Feather as the "middleweight champion of the tenor saxophone", [2] a metaphor used to describe his tone, that was neither as aggressive as John Coltrane nor as mellow as Lester Young, and his style that was laid-back, subtle and melodic, especially in contrast with ...
Concerto for tenor saxophone and orchestra (1992)—Eric Ewazen; Concerto for tenor saxophone and orchestra with piano obbligato (2007)—David DeBoor Canfield "Graffiti Play", concerto for Tenor Saxophone, contemporary Jazz Trio (ts, bs, drs) & chamber orchestra (2014)—Esa Pietilä; Concerto for tenor saxophone and small orchestra (2015 ...
The tenor saxophone is a medium-sized member of the saxophone family, a group of instruments invented by Adolphe Sax in the 1840s. The tenor and the alto are the two most commonly used saxophones. The tenor is pitched in the key of B ♭ (while the alto is pitched in the key of E ♭ ), and written as a transposing instrument in the treble clef ...
Spider-Man recovers his costume from the Daily Bugle and goes after the Green Goblin. The Green Goblin sits at a piano at the top of the Chrysler Building and boasts to the audience of his plan to destroy New York City ("I'll Take Manhattan"). Spider-Man arrives and engages the Goblin in combat, but before he can finish him, the Goblin reveals ...
Hamilton began to play the tenor saxophone at the age of sixteen. [4] In 1976, he moved to New York City and played with Benny Goodman at the end of the decade. [4] Most often he has been the leader of bands. [4] He has worked with Ruby Braff and Warren Vache. [4] He recorded his first significant jazz album as a leader for Chiaroscuro in 1977. [1]
Harry Allen (born October 12, 1966) is an American jazz tenor saxophonist born in Washington, D.C. [1] Allen plays mainstream jazz and bossa nova. He has performed live and recorded with Scott Hamilton , a tenor saxophonist to whom Allen has frequently been compared.