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In Balangaw, the instrument is called dad-ayu. In Bontoc, it is known as diwdiw-as. In Tingguian, dwdew-as. In Kankanai, diwas. [4] In these variations, the number of pipes ranges from five to eight. The size, length, and radius of the instruments vary from one ethnic group to another, but exact measurements are not required.
"Philippine Music Instruments". National Commission for Culture and the Arts. Archived from the original on December 1, 2008; Manuel, E. Arsenio (1978). "Towards an Inventory of Philippine Musical Instruments: A Checklist of the Heritage from Twenty-three Ethnolinguistic Groups" (PDF). Asian Studies.
The Cordillera region is known for its unique musical instruments including the gangsa kalinga, nose flute, bamboo flute, buzzer, bangibang, tongatong, diwdiw-as, saggeypo, and bamboo zither. The region is also known for their dance, arts, and crafts like wood-carving, ibaloi basket, loom weaving, tinalik, loinclothes called ikat, amulets ...
Xylophone-like instrument with gourd resonators, struck with mallets, with a two level keyboard so it can play the full chromatic scale: 111.222-4 Hawaii: ukulele [65] String instrument derived from the Portuguese braguinha, from the Hawaiian uku lele, jumping flea, referring to the swift fingerwork the instrument requires chords on a ukulele ...
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A similar, but smaller instrument, with a shorter neck, is the bandurria, which also exists in 12- and 14-string versions. [ 1 ] Traditionally the laúd is used by folk string musical groups, such as Spanish or Filipino rondalla string ensembles, together with the guitar and the bandurria.
The frame is a necessary part of the instrument, and functions as a resonator. It is considered taboo to step or cross over the antangan while the kulintang gongs are placed on it. [33] Individual names for each kulintang gong Those in the Sulu Archipelago play the kulintang on the floor.
The instrument itself also varies in size, depending on the player. Male players typically play biwa that are slightly wider and/or longer than those used by women or children. The body of the instrument is never struck with the plectrum during play, and the five string instrument is played upright, while the four string is played held on its side.