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C-stand – Originally known as a century-stand, it is designed to take up very little space and is generally made up of four parts, including the base, a vertical leg with multiple stands, a gobo head and a gobo arm. One of the most common pieces of equipment on a film set, it can hold a variety of reflectors, lights, show cards or boom ...
The camera is mounted to the dolly and the camera operator and focus puller or camera assistant usually ride on the dolly to push the dolly back and forth. The camera dolly is generally used to produce images which involve moving the camera toward or away from a subject while a take is being recorded, a technique known as a "dolly shot".
Hardware and software ("firmware"), built into the camera, measures luminance of the subject and automatically sets shutter speed, lens aperture or sensitivity; this also allows the camera to set the aperture for manual lenses fixed with an AE chip. [4] AE-L or AEL: Automatic exposure lock. Technology for holding an exposure setting from one ...
Loading film into a film camera is a manual process. The film, typically housed in a cartridge, is loaded into a designated slot in the camera. One end of the film strip, the film leader, is manually threaded onto a take-up spool. Once the back of the camera is closed, the film advance lever or knob is used to ensure the film is correctly placed.
The solution is to move the camera, rather than the model, and the advent of compact lightweight 35mm cameras has made machine-controlled motion control feasible. Motion-control also requires control over other photographic elements, such as frame rates, focus, and shutter speeds.
The camera also has a 3-step ND filter switch allowing greater control of how much light can enter the camera for maintaining a shallow depth of field or giving a softer appearance to motion. For one hour video shooting in 4K the camera needs about 32 GB to accommodate a data transfer rate of 50 Mbit/s. The camera's MSRP in the US is US$2,000. [8]
In cinematography, a jib is any boom device used to mount a camera on one end, and a counterweight with camera controls on the other. [1] In principle, it operates like a see-saw, with the balance point located closer to the counterweight, which allows the end of the arm with the camera to move through an extended arc. Typically a jib permits ...
A camera stabilizer, or camera-stabilizing mount, is a device designed to hold a camera in a manner that prevents or compensates for unwanted camera movement, such as "camera shake". For small hand-held cameras , a harness or contoured frame steadies the camera against the photographer's body.