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The majority of monochrome photographs produced today are black-and-white, either from a gelatin silver process, or as digital photography. Other hues besides grey can be used to create monochrome photography, [1] but brown and sepia tones are the result of older processes like the albumen print, and cyan tones are the product of cyanotype prints.
The length and width of a typical zabuton is approximately 2 square feet (0.19 m 2) [2] to 3 square feet (0.28 m 2) [7] and usually an inch or two thick, [8] but can vary in thickness. [9] They are sometimes made with threaded embroidery [ 10 ] and tassels on the four corners and at the center of the zabuton, and often with a removable outer ...
In computing terminology, black-and-white is sometimes used to refer to a binary image consisting solely of pure black pixels and pure white ones; what would normally be called a black-and-white image, that is, an image containing shades of gray, is referred to in this context as grayscale. [2]
The ideal zettai ryōiki ratio for the length of the miniskirt, the exposed portion of thigh, and the over-knee part of the socks is 4:1:2.5, with a tolerance of 25%. [ 3 ] [ 4 ] [ 5 ] The ratio has also been referred to as a golden ratio ( 黄金比 , ōgonhi ) among fans.
Monochrome painting as it is usually understood today began in Moscow, with Suprematist Composition: White on White [14] of 1918 by Suprematist artist Kazimir Malevich. This was a variation on or sequel to his 1915 work Black Square on a White Field, a very important work in its own right to 20th century geometric abstraction.
The contrast ranges from black at the weakest intensity to white at the strongest. [1] Grayscale images are distinct from one-bit bi-tonal black-and-white images, which, in the context of computer imaging, are images with only two colors: black and white (also called bilevel or binary images). Grayscale images have many shades of gray in between.