Search results
Results From The WOW.Com Content Network
Parson was a gallery and portrait artist [5] before becoming a professor of art at Dixie College in 1988. [1] There he was awarded the Teaching Excellence Award from the Utah College Council in 1990. [7] After the death of his wife, Joycel, and oldest daughter in a 1978 car accident, Parson felt inspired to begin painting primarily religious ...
Single portraits are common, or smaller groups, with the full group mostly seen in narrative scenes from the Life of Christ in art, especially The Last Supper. All the apostles acquired distinctive attributes enabling them to be identified, and the most important, such as Saint Peter and Saint John the Beloved , were given a consistent physical ...
Warner Elias Sallman (April 30, 1892 – May 25, 1968) was an American painter from Chicago best known for his works of Christian religious imagery. He also worked in commercial advertising, as well as in freelance illustration. [1]
Robert Michael Mapplethorpe (/ ˈ m eɪ p əl ˌ θ ɔːr p / MAY-pəl-thorp; November 4, 1946 – March 9, 1989) was an American photographer, best known for his black-and-white photographs. His work featured an array of subjects, including celebrity portraits, male and female nudes, self-portraits, and still-life images
From the middle of the 4th century, after Christianity was legalized by the Edict of Milan in 313, and gained Imperial favour, there was a new range of images of Christ the King, [47] using either of the two physical types described above, but adopting the costume and often the poses of Imperial iconography.
With the world's annual celebration of his birth mere weeks away, it turns out one of the most revered figures who ever walked the Earth likely didn't look like the pictures of him.
The Head of Christ, also called the Sallman Head, is a 1940 portrait painting of Jesus by Warner Sallman (1892–1968). As an extraordinarily successful work of Christian popular devotional art , [ 1 ] it had been reproduced over half a billion times worldwide by the end of the 20th century. [ 2 ]
Showing Christ "hovering" above the tomb was an Italian innovation of the Trecento, and remained mostly found in Italian art until the late 15th century. One of the claimants to be the earliest surviving works to show this iconography is the well-known fresco by Andrea da Firenze in the Spanish Chapel of the Basilica of Santa Maria Novella in ...