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The Minolta 5000i (also known as the Maxxum 5000i in North America, the Dynax 5000i in Europe, and the α-5700i in Japan) is a 35mm single-lens reflex camera belonging to the second generation of bodies in Minolta's autofocus SLR system, fitting between the cheaper 3000i and the more expensive, semi-pro 7000i, [1] and replacing the 5000.
Inexpensive J-K 16 mm optical printer using a Bolex camera. An optical printer is a device consisting of one or more film projectors mechanically linked to a movie camera. It allows filmmakers to re-photograph one or more strips of film. The optical printer is used for making visual effects for motion pictures, or for copying and restoring film ...
Photographic film is made with specific characteristics of colour temperature and sensitivity (ISO). Lighting conditions often require characteristics different from those of the film specifications, requiring the use of filters or corrections in processing. Digital photography allows colour temperature and sensitivity to be adjusted at each ...
Stadium seating in a digital cinema theater. Digital cinema is the digital technology used within the film industry to distribute or project motion pictures as opposed to the historical use of reels of motion picture film, such as 35 mm film.
Box of 35mm Ilford film – expired: September 1957. In 1959, ICI acquired a majority share holding in Ilford. In 1963 Ciba AG, Switzerland, which had bought Lumiere, France, the preceding year, and which already owned Swiss photographic coating company Tellko, began to acquire shares in Ilford as part of a commercial co-operation between Ciba ...
Konica was a major producer of 35mm film and related products, including film development processors and printing technology. While never equal to giants like Kodak or Fujifilm, the recognized quality of Konica film ensured general presence on market. Originally Konica film and paper was sold under the brand name "Sakura" (cherry blossom).
In news photography, the press camera has been largely supplanted by the smaller formats of 120 film and 135 film, and more recently by digital cameras. The advantage of the 4×5 inch format over 35 mm format is that the size of the film negative is 16 times that of a 35 mm film negative image. [2] [b]
In the traditional photochemical post-production workflow, release prints are usually copies, made using a high-speed continuous contact optical printer, [5] of an internegative (sometimes referred to as a 'dupe negative'), which in turn is a copy of an interpositive (these were sometimes referred to as 'lavender prints' in the past, due to the slightly colored base of the otherwise black-and ...