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Part of the "Hold to the Rod" series, volume 7. The power of the Lord's word is compared with other dynamic and subtle powers that are around us every day. The story of Marie and her efforts to use the scriptures to influence an inactive father, a wavering friend, and a Sherem-like antagonist illustrate the power of Scriptures to resist temptation.
The Visual Bible: Acts: 1994 October 1 Regardt van den Bergh: United States Jacob: 1994 December 4 Peter Hall: United States Germany Italy Faustina: 1995 March 22 Jerzy Łukaszewicz Poland Are You My Neighbor? 1995 March 28 Phil Vischer Mike Nawrocki: United States Rack, Shack and Benny: 1995 November 28 Phil Vischer Mike Nawrocki: United ...
The Nativity Story is a 2006 American biblical drama film based on the nativity of Jesus and directed by Catherine Hardwicke.The film stars Keisha Castle-Hughes, Oscar Isaac, Hiam Abbass, Shaun Toub, Alexander Siddig, Ciarán Hinds, and Shohreh Aghdashloo.
Matthew 4:7 is the seventh verse of the fourth chapter of the Gospel of Matthew in the New Testament. Satan has transported Jesus to the pinnacle of the Temple of Jerusalem and told Jesus that he should throw himself down, as God in Psalm 91 promised that no harm would befall him.
Godspell (full title: Godspell: A Musical Based on the Gospel According to St. Matthew) is a 1973 American musical comedy-drama film, an adaptation of the 1971 Off-Broadway musical Godspell (in turn based on the Gospel of Matthew), created by John-Michael Tebelak with music and lyrics by Stephen Schwartz.
Paul, Apostle of Christ is a 2018 American biblical drama film written and directed by Andrew Hyatt. It stars James Faulkner as Paul the Apostle and Jim Caviezel (who portrayed Jesus in the 2004 film The Passion of the Christ) as Saint Luke.
The creators behind the film also have a personal connection to the story: co-writers, Jack Thorne and his wife Rachel Mason, welcomed their son Elliott via IVF, while director Ben Taylor also has ...
According to author Diane Apostolos-Cappadona, in the 1950s and 1960s, during the era of the production code, "the most acceptable cinematic path for movies to incorporate sex and violence was the biblical epic". [6] Basing a film on the Bible allowed it to be more risqué than would normally have been accepted.