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The album's lo-fi quality was the result of it being produced from Ron Asheton's inferior cassette copies, instead of the original master tapes. The album was later reissued with different cover art and a bonus track as Declaration of War in 1987. Declaration of War was reissued again in 1991, this time on CD.
Title Album details Peak chart positions Certifications; US Pop [10]US R&B [2]Greatest Hits: Released: 1976; Label: United Artists Records; Includes one new track
Music for an Accelerated Culture is the debut album from new rave/grindie band Hadouken!, released as an Aerials exclusive on 24 April 2008 and as a physical copy on 5 May 2008. The album contains nine songs, three of which ("Spend Your Life", "What She Did" and "Declaration of War") had been previously played on tour.
The album was released in three different formats: a limited edition two-disc version in digipak format, and single-disc American and European versions. [4] See the track list for the differences. "The Reckoning (Don't Tread on Me)", "Declaration Day", and the acoustic version of "When the Eagle Cries (Unplugged)" were all released as music videos.
He played guitar on and wrote most of the music for their first two albums, debut album The Stooges (1969) and Fun House (1970). Shortly after recording Fun House, a second guitarist was added to the band, initially former roadie Bill Cheatham, who was shortly thereafter replaced by James Williamson. Infighting between Asheton and Williamson ...
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Declaration [30th Anniversary] Released: 13 February 2014; Label: The Twenty First Century Recording Company; Formats: CD, LP; Re-recording of album; Peace Train: Released: 2014; Label: The Twenty First Century Recording Company; Formats: CD; Companion to the re-recorded Declaration album; Strength [30th Anniversary] Released: 25 February 2015
The band's second full-length album, Grand Declaration of War, was released in 2000. Strongly influenced by progressive and avant-garde metal, with Maniac partially abandoning the traditional black metal rasp in favor of dramatic spoken-word monologues, the album was concept-based, exploring themes of war and post-apocalyptic destruction.