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These beats harken to the stylings of a variety of traditional African drum beats across West Africa as well as the precursory genre Afrobeat. [32] The beat in Afrobeats music is not just a base for the melody, but acts as a major character of the song, taking a lead role that is sometimes equal to or of greater importance than the lyrics and ...
Full free access Album of the Year: Music database, critic ratings and reviews, community ratings, reviews and lists ~219,588 ~1,192,533 ~443,792 AllMusic: Music information and reviews. ~20,000,000 [7] ~2,200,000 [7] Song samples only. Discogs • Database: user-generated cross-referenced database of physical & digital releases, artists, and ...
Afrobeat (also known as Afrofunk [3] [4]) is a West African music genre, fusing influences from Yoruba music [5] [6] and Ghanaian music (such as highlife), [7] with American funk, jazz, and soul influences.
By 1996–97, there was a steady flow of UK based hard house that threw away the fun and uplifting parts to incorporate the "Hoover" & other gritty, menacing sounding elements at a slightly higher tempo than the conventional hard house and thus, the style effectively became known as "Nu-NRG" when Blu Peter coined the phrase in a magazine interview.
In African music, this is a cross-rhythmic fragment generated through cross-rhythm: 8 pulses ÷ 3 = 2 cross-beats (consisting of three pulses each) with a remainder of a partial cross-beat (spanning two pulses). In divisive form, the strokes of tresillo contradict the beats while in additive form, the strokes of tresillo are the beats. From a ...
A popular element of the genre is the use of the log drum (an electronic version of the West African originating log drum), [18] [19] a wide percussive bassline, which was popularized in amapiano music by several producers such as MDU aka TRP. According to one of the amapiano pioneers, Kabza De Small, he asserts that: "I don't know what happened.
Berimbau, an Afro-Brazilian instrument. Afro-Brazilian music consists of a mixture of musical and cultural influences from Sub-Saharan Africa, Portugal, and on a smaller scale, Amerindian music, creating a large variety of styles. Lyrics, instruments, and even melodies often have connections to African culture and even influence culture and ...
Traditional sub-Saharan African harmony is a music theory of harmony in sub-Saharan African music based on the principles of homophonic parallelism (chords based around a leading melody that follow its rhythm and contour), homophonic polyphony (independent parts moving together), counter-melody (secondary melody) and ostinato-variation (variations based on a repeated theme).