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Paula Marie Francis was born on October 24, 1939 in Cubero, New Mexico, a Spanish-Mexican land grant village bordering the Laguna Pueblo reservation. [5] [6] Of mixed Scottish American, Lebanese-American, and Laguna descent, Allen always identified most closely with the Laguna, among whom she spent part of her childhood. [7]
Deer Woman stories are found in multiple Indigenous American cultures, often told to young children or by young adults and preteens in the communities of the Lakota people (Oceti Sakowin), Ojibwe, Ponca, Omaha, Cherokee, Muscogee, Seminole, Choctaw, Otoe, Osage, Pawnee, and the Haudenosaunee, and those are only the ones that have documented Deer Woman sightings.
Storytelling from the (still) Ivory Tower" in American Indian Quarterly, vol. 27, no. 1&2. "A String of Textbooks: Artifacts of Composition Pedagogy in Indian Boarding Schools." The Journal of Teaching Writing. Vol. 16.2, Fall 2000. "I Don't Speak the Language that has the Sentences: An Interview with Paula Gunn Allen" in Sojourner: The Women's ...
In developing their poetics, members of the Language school took as their starting point the emphasis on method evident in the modernist tradition, particularly as represented by Gertrude Stein, William Carlos Williams, and Louis Zukofsky. Language poetry is an example of poetic postmodernism.
In an interview published by the Los Angeles Review of Books on 6 December 2012, Grande explained why she decided to part from fiction to tell her story: Even though my novels are very personal, and the material I write about is drawn from my own experience, they are fictional stories.
It's a Big Country: An American Anthology is a 1951 American anthology film consisting of eight segments by seven directors: Richard Thorpe, John Sturges, Charles Vidor, Don Weis, Clarence Brown, William A. Wellman and Don Hartman.