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St. Augustine in His Study (also called Vision of St. Augustine) is an oil and tempera on canvas painting by the Italian Renaissance artist Vittore Carpaccio housed in the Scuola di San Giorgio degli Schiavoni of Venice, northern Italy. The painting depicts St. Augustine while he has a vision while sitting in a large room filled with objects.
His famous piece Virgin Enthroned with St. John the Baptist and St. Augustine was signed with Latin capitals: IOANES PERMENIATES/ P.. The painting is housed in the Museo Civico Correr in Venice. Permeniatis also painted: Saint Peter, Saint Francis, and Saint Dominic, which is located in the art museum in Vicenza. [5]
He painted the canvas of St Augustine triumphs over Heresy for the church of Santo Stefano, Venice. he also painted for the Sala dell'Archivio of the Scuola Grande dei Carmini [2] and in the Ducal Palace of Venice. A Resurrection of Christ attributed to Menascardi is in the Hood Museum of Art at Dartmouth College. [3]
Carpaccio was born in Venice (between 1460 and 1465), [4] [5] the son of Pietro Scarpaza, a Venetian furrier in the parish of Arcangelo Raffaele. [4] [footnotes 1] Although Carpaccio's precise date of birth remains unknown, various documents have offered clues in order to narrow it down to a particular span of years.
The Museo Correr (Italian pronunciation: [muˈzɛo korˈrɛr]) is a museum in Venice, northern Italy. Located in St. Mark's Square, Venice, it is one of the 11 civic museums run by the Fondazione Musei Civici di Venezia. The museum extends along the southside of the square on the upper floors of the Procuratorie Nuove. With its rich and varied ...
Ca' Rezzonico (Italian pronunciation: [ˈka (r)retˈtsɔːniko]) is a palazzo and art museum on the Grand Canal in the Dorsoduro sestiere of Venice, Italy.It is a particularly notable example of the 18th century Venetian baroque and rococo architecture and interior decoration, and displays paintings by the leading Venetian painters of the period, including Francesco Guardi and Giambattista ...
In 1923, the Italian State, owner of the building, entrusted the management to the Venetian municipality to be run as a museum. Since 1996, the Doge's Palace has been part of the Venetian museums network, which has been under the management of the Fondazione Musei Civici di Venezia since 2008.
The Venetian nobility provided them with financial assistance to restore the church and monastery, and expand the island to add additional houses to the complex. In 1652 the Morosini family sponsored the restoration of the church façade by Andrea Cominelli , in order to pay tribute to the family's members Francesco and Tommaso, who died in the ...