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Webb wrote "Wichita Lineman" in response to Campbell's urgent phone request for a "place"-based or "geographical" song to follow up "By the Time I Get to Phoenix". [5]His lyrical inspiration came while driving through the high plains of the Oklahoma panhandle past a long line of telephone poles, on one of which perched a lineman speaking into his handset.
At the 1969 Grammy Awards, Webb accepted awards for "By the Time I Get to Phoenix", "Wichita Lineman", and "MacArthur Park". In 2019 "Wichita Lineman" was added to the National Recording Registry. [12] In 1969, Glen Campbell continued the streak of Webb hits with the gold record "Galveston" and "Where's the Playground Susie".
Tony Joe White (July 23, 1943 – October 24, 2018), nicknamed the Swamp Fox, [1] was an American singer-songwriter and guitarist, best known for his 1969 hit "Polk Salad Annie" and for "Rainy Night in Georgia", which he wrote but which was first made popular by Brook Benton in 1970.
The arrangements are generally very simple and straightforward, with Webb's piano the primary instrument, and several of the songs are performed in a deeply personal manner, more akin to home recording for Webb's own pleasure than to a commercial release—"Wichita Lineman", in particular, sounds here like the most personal and private of ...
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[88] [nb 6] Campbell enlisted the Wrecking Crew as a backup unit on many of his own solo records during the 1960s, such as on "Gentle on My Mind", and on two songs written by Jimmy Webb, "By the Time I Get to Phoenix" and his single "Wichita Lineman". [90] Leon Russell pictured in 1970, the year he became a solo recording artist
Alfred V. De Lory (January 31, 1930 – February 5, 2012) was an American record producer, arranger, conductor and session musician. [1] He was the producer and arranger of a series of worldwide hits by Glen Campbell in the 1960s, including John Hartford's "Gentle on My Mind", Jimmy Webb's "By the Time I Get to Phoenix", "Wichita Lineman" and "Galveston".
He commissioned another song from Webb, who soon provided "Wichita Lineman", a "gorgeous, haunting piece of contemporary Americana full of longing, distance, loneliness, and resigned exhaustion." [ 1 ] In 1969, a third addition to the so-called "town songs" cycle, "Galveston", was equally compelling and impressive.