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  2. The Frontiers of Criticism - Wikipedia

    en.wikipedia.org/wiki/The_Frontiers_of_Criticism

    The essay is an attempt by Eliot to define the boundaries of literary criticism: to say what does, and what does not, constitute truly literary criticism, as opposed to, for example, a study in history based upon a work of literature. The essay is significant because it represents Eliot's response to the New Critical perspective which had taken ...

  3. Reader-response criticism - Wikipedia

    en.wikipedia.org/wiki/Reader-response_criticism

    Reader-response criticism is a school of literary theory that focuses on the reader (or "audience") and their experience of a literary work, in contrast to other schools and theories that focus attention primarily on the author, content, or form of the work.

  4. New Criticism - Wikipedia

    en.wikipedia.org/wiki/New_Criticism

    In another essay, "The Affective Fallacy", which served as a kind of sister essay to "The Intentional Fallacy" Wimsatt and Beardsley also discounted the reader's personal/emotional reaction to a literary work as a valid means of analyzing a text. This fallacy would later be repudiated by theorists from the reader-response school of literary theory.

  5. The Death of the Author - Wikipedia

    en.wikipedia.org/wiki/The_Death_of_the_Author

    The Death of the Author" (French: La mort de l'auteur) is a 1967 essay by the French literary critic and theorist Roland Barthes (1915–1980). Barthes' essay argues against traditional literary criticism's practice of relying on the intentions and biography of an author to definitively explain the "ultimate meaning" of a text. Instead, the ...

  6. Affective fallacy - Wikipedia

    en.wikipedia.org/wiki/Affective_fallacy

    The concept of affective fallacy is an answer to the idea of impressionistic criticism, which argues that the reader's response to a poem is the ultimate indication of its value. It is the antithesis of affective criticism, which is the practice of evaluating the effect that a literary work has on its reader or audience.

  7. John Crowe Ransom - Wikipedia

    en.wikipedia.org/wiki/John_Crowe_Ransom

    In his seminal 1937 essay, "Criticism, Inc." Ransom laid out his ideal form of literary criticism stating that, "criticism must become more scientific, or precise and systematic." To this end, he argued that personal responses to literature, historical scholarship, linguistic scholarship, and what he termed "moral studies" should not influence ...

  8. Fenimore Cooper's Literary Offenses - Wikipedia

    en.wikipedia.org/wiki/Fenimore_Cooper's_Literary...

    "Fenimore Cooper's Literary Offenses" is an essay by Mark Twain, written as a satire of literary criticism and as a critique of the writings of the novelist James Fenimore Cooper, that appeared in the July 1895 issue of North American Review. [1] [2] It draws on examples from The Deerslayer and The Pathfinder from Cooper's Leatherstocking Tales.

  9. Norman N. Holland - Wikipedia

    en.wikipedia.org/wiki/Norman_N._Holland

    Literature and the Brain explores the human experience of literature, explicating the processes by which the brain experiences the "willing suspension of disbelief," emotional response to characters, plot, form, and literary language, culminating in, perhaps, pleasure and evaluation. The book addresses the reading or viewing of poems, stories ...