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Margaret Pomeranz (At the Movies) Dilys Powell (The Sunday Times) Vasiraju Prakasam (Vaartha) Nathan Rabin (The A.V. Club) Rex Reed (New York Observer) B. Ruby Rich (Film Quarterly) Frank Rich (Time, New York) Carrie Rickey (Philadelphia Inquirer) Shirrel Rhoades; Richard Roeper (Chicago Sun-Times, At the Movies with Ebert & Roeper) Jonathan ...
Feminist film theory, such as Marjorie Rosen's Popcorn Venus: Women, Movies, and the American Dream (1973) and Molly Haskell’s From Reverence to Rape: The Treatment of Women in Movies (1974) analyze the ways in which women are portrayed in film, and how this relates to a broader historical context.
The Women Film Critics Circle is an association of 64 women film critics and scholars nationally and internationally, who are involved in print, radio, online and TV broadcast media. They united to form the first women critics organization in the United States, in the belief that women's perspectives and voices in film criticism would be ...
Women and international movies dominated the Los Angeles Film Critics Awards. Jonathan Glazer’s grimly methodical historical drama “The Zone of Interest,” loosely based on the 2014 novel by ...
It includes film critics that can also be found in the parent category, or in diffusing subcategories of the parent. Subcategories This category has the following 13 subcategories, out of 13 total.
The Women Film Critics Circle (WFCC) is a film critics and scholars association in the United States. Founded in 2004, WFCC was the first all-women group of this type in that country. WFCC has 75 members from the United States and foreign countries who are involved in print, radio, television and online media.
Kapitel (For Women: Chapter 1); writer and director: Cristina Perincioli – award-winning documentary fiction on a women's strike in Berlin; 1972 Sambizanga; director: Sarah Maldoror – feature film about the liberation movement in Angola; 1972 The Heartbreak Kid; director: Elaine May; 1972 The Other Side of the Underneath; director Jane Arden
The role of women's films was discussed at the Women's Liberation Conference in Melbourne in 1970, [108] and groups such as the Feminist Film Workers collective (1970s and 1980s), Sydney Women"s Film Group (SWFG, 1972–), Melbourne Women's Film Group (1973–), Reel Women (1979 to 1983 in Melbourne), and Women's Film Unit (Sydney and Melbourne ...