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It depicts Jesus as a young man prior to his ministry, working as a carpenter. He is shown stretching his arms after sawing wood. The shadow of his outstretched arms falls on a wooden spar on which carpentry tools hang, creating a "shadow of death" prefiguring the crucifixion. The arch of the window also creates a natural halo around the head ...
The work depicts Jesus seated with His head bent down and His hand outstretched. He is naked and covered by a piece of cardboard. [3] The dimensions of the statue is 61 by 76 by 71 centimetres (24 by 30 by 28 in). [4]
Christ the Redeemer (Portuguese: Cristo Redentor, standard Brazilian Portuguese: [ˈkɾistu ʁedẽˈtoʁ]) is an Art Deco statue of Jesus in Rio de Janeiro, Brazil, created by French-Polish sculptor Paul Landowski and built by Brazilian engineer Heitor da Silva Costa, in collaboration with French engineer Albert Caquot.
Images of Jesus tend to show ethnic characteristics similar to those of the culture in which the image has been created. Beliefs that certain images are historically authentic, or have acquired an authoritative status from Church tradition, remain powerful among some of the faithful, in Eastern Orthodoxy, Lutheranism, Anglicanism, and Roman ...
For the last 2,000 years, faithful hands have labored to create likenesses of their professed savior, projecting onto him various theologies and mythologies combined with aesthetics of the time ...
These garden tools reference Mary's initial confused supposition that Jesus was a gardener. [5] Christ's attitude and gesture non-verbally communicate his words from the Gospel. The body sways slightly to one side, as if shrinking from Mary's touch, and he holds his right hand outstretched, keeping her away.
The Hand of God, or Manus Dei in Latin, also known as Dextera domini/dei (the "right hand of God"), is a motif in Jewish and Christian art, especially of the Late Antique and Early Medieval periods, when depiction of Yahweh or God the Father as a full human figure was considered unacceptable.
Kowalska also wrote that Jesus stressed the importance of the image as part of the Divine Mercy devotion, and in Notebook 1, item 327, she attributed these words to Jesus: "I am offering people a vessel with which they are to keep coming for graces to the fountain of mercy. That vessel is this image with the signature; 'Jesus, I trust in You." [19]