Ads
related to: acoustic guitar frets chart electric blue color palette
Search results
Results From The WOW.Com Content Network
The SST was a design that combined Gibson's steel-string acoustic and electric guitar technology. [2] The guitar had a solid spruce or cedar top and a mahogany body. Unlike most acoustic-electrics, the SST had no resonating chamber or soundhole. The acoustic sound came from a bridge mounted transducer manufactured by L.R. Baggs for Gibson with ...
This sturdier guitar was less likely to be returned to Gibson for warranty work, but its volume was reduced and tone negatively affected. [3] In 1985 Gibson's new owners began to address the quality issues that were affecting the company's products and reputation. [4] By 1992 production of Gibson acoustic guitars was shifted to Bozeman, Montana.
The L-4 was first introduced in 1911 as an acoustic rhythm guitar with an oval sound hole and 12 frets to the neck; [1] it was used by Eddie Lang, who also played an L-5. In 1928, Gibson redesigned the guitar, swapping out the oval soundhole for a round one, extending the neck to 14 frets and cantilevering the end of the fretboard over the top ...
The Acoustasonic Telecaster is a combination of an acoustic and electric guitar. First produced in 2010, this 22 fret guitar was then reintroduced in 2019 after some changes were made. They are made in Corona, California and come in 5 colors, (Black, Sonic Gray, Natural, Sunburst, and Surf Green).
From its introduction in 1922–23 to the 1940s, the L-5 came in different configurations (all strictly acoustic): Type one 16" - As it first appeared when originally introduced in Gibson's price list (April 1923), the L-5 sported a 16" body with a Cremona brown finish, birch or maple sides, a single-bound, 20-fret fingerboard with a pointed end, dot inlays, a slanted "The Gibson" script logo ...
The hollow-bodied design of the guitar caused feedback at higher levels of gain and volume, which would normally make it impractical for hard rock and similar styles, but Nugent controlled this feedback and incorporated it into his playing. [3] British guitar player John McLaughlin used a sunburst Byrdland with a scalloped fretboard.