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A line array is a loudspeaker system that is made up of a number of usually identical loudspeaker elements mounted in a line and fed in phase, to create a near-line source of sound. The distance between adjacent drivers is close enough that they constructively interfere with each other to send sound waves farther than traditional horn-loaded ...
A large line array with separate subs and a smaller side fill line array. A simple and inexpensive PA loudspeaker may have a single full-range loudspeaker driver, housed in a suitable enclosure. More elaborate, professional-caliber sound reinforcement loudspeakers may incorporate separate drivers to produce low, middle, and high frequency sounds.
A line array speaker system and subwoofer cabinets at a live music concert. Touring productions travel with relocatable large line-array PA systems, sometimes rented from an audio equipment hire company. The sound equipment moves from venue to venue along with various other equipment such as lighting and projection.
In 2023, L-Acoustics launched the L Series during their Keynote at the Hollywood Bowl, a new concept and family of line source arrays offering substantial reduction in weight, size, and set-up time. A major update to L-Acoustics' immersive ecosystem was also announced with the launch of L-ISA 3.0. [13]
This system projected high-quality playback at six hundred feet (180 m) with an acceptable sound projected for one-quarter mile (400 m), at which point wind interference degraded it. Although it was not called a line array at the time, the Wall of Sound was the first large-scale line array used in modern sound reinforcement systems. [6]
The three front speakers are so close together (-30°, 0°, +30°) that they will exhibit significant crosstalk in first-order, which causes irritating phasing artefacts without any benefit. Therefore, it is advisable to omit the center speaker and decode only for L, R, Ls and Rs, as has been done in all pre-decoded G-format releases for 5.1 ...
The array is oriented so that the line bisecting the angle between the two microphones points towards the sound source to be recorded (see diagram). The pickup patterns of the pair, combined with their positioning, delivers a high degree of stereo separation in the source signal, as well as the room ambiance.
Sound from an array spreads less than sound from a point source, by the Huygens–Fresnel principle applied to diffraction.. While a large loudspeaker is naturally more directional because of its large size, a source with equivalent directivity can be made by utilizing an array of traditional small loudspeakers, all driven together in-phase.