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George Harrison wrote "Hear Me Lord" over the weekend of 4–5 January 1969, soon after the Beatles had begun the rehearsals for a proposed television special at Twickenham Film Studios. [2] With the band members in disagreement about the nature of the project and whether to return to live performance, this period was one of discord within the ...
The Beatles assembled at Twickenham Film Studios on 2 January 1969, accompanied by the film crew, and began rehearsing. Cameraman Les Parrott recalled: "My brief on the first day was to 'shoot The Beatles.' The sound crew instructions were to roll/record from the moment the first Beatle appeared and to record sound all day until the last one left.
In January 1969, the Beatles got together with director Michael Lindsay-Hogg to film the rehearsals for the group's proposed first live concert since 1966. This project would concentrate on new material, and was intended to form the basis for both a television documentary and a new album, which were given the title of Get Back . [ 52 ]
When rehearsing with the Beatles at Twickenham Film Studios in early January 1969, Harrison had presented a new composition, "Hear Me Lord", saying it was a gospel song he had just written. [3] [4] Typical of the dysfunctional atmosphere in the group, the latter song received little interest from his bandmates.
"Wah-Wah" is a song by English rock musician George Harrison from his 1970 triple album All Things Must Pass.Harrison wrote the song following his temporary departure from the Beatles in January 1969, during the troubled Get Back sessions that resulted in their Let It Be album and film.
Kum Back is the first bootleg album by the Beatles, released in January 1970.The album is an early version of what would become Let It Be, sourced from a tape recording of an acetate prepared by the band's engineer, Glyn Johns.
"Awaiting on You All" is a song by English musician George Harrison, released on his 1970 triple album, All Things Must Pass. Along with the single "My Sweet Lord", it is among the more overtly religious compositions on All Things Must Pass, and the recording typifies co-producer Phil Spector's influence on the album, due to his liberal use of reverberation and other Wall of Sound production ...
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