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A gain greater than one (greater than zero dB), that is, amplification, is the defining property of an active device or circuit, while a passive circuit will have a gain of less than one. [4] The term gain alone is ambiguous, and can refer to the ratio of output to input voltage (voltage gain), current (current gain) or electric power (power ...
Equalization can be used to adjust the in-room response of a subwoofer system. [58] Designers of active subwoofers sometimes include a degree of corrective equalization to compensate for known performance issues (e.g. a steeper than desired low end roll-off rate). In addition, many amplifiers include an adjustable low-pass filter, which ...
Gain staging is the process of managing the relative levels in each step of an audio signal flow to prevent introduction of noise and distortion, feeding the inserts, such as equalizers and compressors with the right amount of signal, particularly in the analogue realm. Ideal gain staging occurs when each component in an audio signal flow is ...
Schematic of an AGC used in the analog telephone network; the feedback from output level to gain is effected via a Vactrol resistive opto-isolator.. Automatic gain control (AGC) is a closed-loop feedback regulating circuit in an amplifier or chain of amplifiers, the purpose of which is to maintain a suitable signal amplitude at its output, despite variation of the signal amplitude at the input.
In typical installations, subwoofers are physically separated from the rest of the speaker cabinets. Because of propagation delay and positioning, their output may be out of phase with the rest of the sound. Consequently, a subwoofer's power amp often has a phase-delay adjustment which may be used improve performance of the system as a whole.
The fundamental principle of bass management (also called LFE crossover) in surround sound replay systems is that bass content in the incoming signal, irrespective of channel, should be directed only to loudspeakers capable of reproducing it, whether the latter are the main system loudspeakers or one or more subwoofers.
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Each filter had switchable frequencies and used a 15-position slide switch to adjust cut or boost. The passive design required 14 dB of make-up gain. [9] Born in Salt Lake City, Davis worked in Southern California most of his life for a series of companies including Cinema Engineering (from 1938), Langevin, Electrodyne, Cetec and Altec. [10]