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Like Father, Like Son (そして父になる, Soshite Chichi ni Naru) is a 2013 Japanese drama film written, directed and edited by Hirokazu Kore-eda, starring Masaharu Fukuyama in his first role as a father. It premiered on 18 May 2013 at the 2013 Cannes Film Festival, where it was nominated for the Palme d'Or. [2]
Nobody Knows (誰も知らない, Dare mo Shiranai) is a 2004 Japanese drama film based on the 1988 Sugamo child abandonment case. [2] The film is written, produced, directed and edited by Hirokazu Kore-eda, and it stars Yuya Yagira, Ayu Kitaura, and Hiei Kimura.
"Sky of Love") is a 2007 Japanese film based on a cell phone novel of the same name. [2] The film is directed by Natsuki Imai and stars Yui Aragaki and Haruma Miura. Koizora debuted at the Japanese box office on 3 November 2007. It grossed a total of US$36,684,020 in both Japanese and international box office markets. [1]
In one of the film's sub-stories, a deaf Japanese high school girl (played by hearing actress Rinko Kikuchi) who knows Japanese Sign Language struggles with her hearing mother's death and engages in sexual behavior with hearing men of different ages. [5] [2] Baby Driver: 2017
Be with You (Korean: 지금 만나러 갑니다; RR: Jigeum Mannareo Gamnida) is a 2018 South Korean romance film starring So Ji-sub and Son Ye-jin, and directed by Lee Jang-hoon. The film is a remake of the 2004 Japanese film of the same name, which is based on a novel by Takuji Ichikawa. [2]
The film is directed by Nobuhiro Doi, and its script was written by Noriko Yoshida. The film spans the ten-year period from 1996 to 2006, and it stars Yui Aragaki as Sae, a high school student who later grows into a young adult. [3] Toma Ikuta also stars in this film, playing the role of Kouhei, Sae's boyfriend and an aspiring fisherman. [3]
HGTV home renovation stars Jonathan and Drew Scott – best known as the Property Brothers – are fearful that Trump’s proposed tariffs could send construction costs soaring. The brothers ...
A. O. Scott of The New York Times praised the film's plot: "Seeming to wander through small incidents and mundane busyness, it acquires momentum and dramatic weight through a brilliant kind of narrative stealth." He said the film "goes down as easily as a sip of the plum wine the sisters brew and yet leaves the viewer both sated and intoxicated."