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Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
To control the length of the notes, percussionists will often have to either place their hands on the instrument or use a pedal mechanism as in the case of tubular bells and pedal glockenspiels. Mallet dampening on the vibraphone is an important technique that facilitates legato phrasing on the instrument. It is accomplished by striking a note ...
All note letter-names in this section refer to the bass clef; the notes remain in the same physical locations when the neutral clef is used. Rolls: Diagonal lines across the note stem (or above a whole note). Usually three diagonal lines denote a roll, whereas fewer would be interpreted as measured subdivisions of the note (two lines for ...
Softer mallets are used at the lowest notes, and harder mallets are used at the highest notes. Mallets that are too hard will damage the instrument, and mallets that might be appropriate for the upper range could damage the notes in the lower range (especially on a padouk or rosewood instrument). On the lower notes, the bars are larger, and ...
When changing notes, the piston stroke is modified so that it starts above the first note and ends above the second note, ready to strike. Strokes are further divided into four categories of motion. [1]: 25 "Single independent" strokes involve moving the inside or outside mallets singly, pivoting around the shaft of the unused mallet. "Single ...
The most common form of mallet damping occurs when the vibraphonist plays a note with one mallet before pressing another mallet into the ringing bar to stop it from sounding. Usually the damping mallet and the original striking mallet are held in different hands, but advanced players can, in some circumstances, use the same hand. [57]
Notes in it include a prime symbol below the note's letter. Names of subsequent lower octaves are preceded with "sub". Notes in each include an additional prime symbol below the note's letter. The octave starting at tenor C is called the "small" octave. Notes in it are written as lower case letters, so tenor C itself is written c in Helmholtz ...
Non-metal mallets are used for general playing, while metal mallets produce a more brilliant sound. Rubber mallets may be used for a warmer sound, although rubber that is too soft may struggle to excite the metal bars. Playing chords on a glockenspiel can be done with four mallets using a grip such as Stevens technique.