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Swing to Bop: An Oral History of the Transition in Jazz in the 1940s (1987) Hennessey, Thomas J. From Jazz to Swing: African-Americans and Their Music, 1890–1935 (1994). Schuller, Gunther. The Swing Era: The Development of Jazz, 1930–1945 (1991) Spring, Howard. "Swing and the Lindy Hop: Dance, Venue, Media, and Tradition".
Some swing era musicians, like Louis Jordan, later found popularity in a new kind of music, called "rhythm and blues", that would evolve into rock and roll in the 1950s. [1] Bebop emerged in the early 1940s, led by Charlie Parker, Dizzy Gillespie, Thelonious Monk, and others.
Some swing era musicians, like Louis Jordan, later found popularity in a new kind of music, called "rhythm and blues", that would evolve into rock and roll in the 1950s. [5] Louis Armstrong. In the late 1940s there was a revival of "Dixieland" music, harkening back to the original contrapuntal New Orleans style. This was driven in large part by ...
The swing era lasted until the mid-1940s, and produced popular tunes such as Duke Ellington's "Cotton Tail" (1940) and Billy Strayhorn's "Take the 'A' Train" (1941). When the big bands struggled to keep going during World War II , a shift was happening in jazz in favor of smaller groups.
While the Big Band Era suggests that big bands flourished for a short period, they have been a part of jazz music since their emergence in the 1920s when white concert bands adopted the rhythms and musical forms of small African-American jazz combos.
1960s -> Continental jazz: Early jazz dance bands of Europe in the swing medium, to the exclusion of Great Britain. Cool jazz: Contrasts with the hard, fast sound of bebop. A more relaxed, subdued style, with more formal arrangements and elements of swing and classical. 1940s–1960s Crossover jazz: Artists mix different styles of music into ...
Western swing is a subgenre of American country music that originated in the late 1920s in the West and South among the region's Western string bands. [1] [2] It is dance music, often with an up-tempo beat, [3] [4] which attracted huge crowds to dance halls and clubs in Texas, Oklahoma and California during the 1930s and 1940s until a federal war-time nightclub tax in 1944 contributed to the ...
Developments in dance orchestras and jazz music culminated in swing music during the early 1930s. It brought to fruition ideas originated with Louis Armstrong, Earl Hines, Fletcher Henderson, Duke Ellington, and Jean Goldkette. The swing era also was precipitated by spicing up familiar commercial, popular material with a Harlem-oriented flavor ...