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In 2006, Celtic chief executive Peter Lawwell suggested that he was embarrassed by "offensive" chants in support of the Provisional IRA, even though these songs were political and not "overtly sectarian". [4] In 2007, Celtic chairman Brian Quinn suggested that the "Boys of the Old Brigade" had no place at Celtic Park. [5]
A group of Black and Tans and Auxiliaries outside the London and North Western Hotel in Dublin following an IRA attack, April 1921 "Come Out, Ye Black and Tans" is an Irish rebel song, written by Dominic Behan, which criticises and satirises pro-British Irishmen and the actions of the British army in its colonial wars.
The Green Brigade group of Celtic fans believe that the 2012 Act is "a ridiculous piece of legislation" which has resulted in "expressions of Irish identity, culture and politics being deemed illegal" and highlighted the hypocrisy of the legislation at the Celtic game on 23 November 2013: while ‘Roll of Honour’ was being sung, banners were ...
Celtic Symphony is a song by The Wolfe Tones, [3] [4] written to celebrate the centenary of Celtic Football Club. [5] It has become a staple song for Irish nationalism and Irish sports teams, which has led to controversy due to its lyrics. [6] [7] [8] [9]
"Arthur McBride" – an anti-recruiting song from Donegal, probably originating during the 17th century. [1]"The Recruiting Sergeant" – song (to the tune of "The Peeler and the Goat") from the time of World War 1, popular among the Irish Volunteers of that period, written by Séamus O'Farrell in 1915, recorded by The Pogues.
The song is based on a real event in April 1921. An Irish Republican Army unit needed transport to a town over fifty miles away, but had no car to carry them. They decided to call out Henry M. Johnston, a doctor based in Stranorlar, and then ambush him and his car at a bridge and commandeer the car for the IRA.
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Pat of Mullingar is an Irish rebel song that has been sung and recorded by several folk artists and groups, including the Irish Rovers, Derek Warfield, and The Wolfe Tones. [1] The initial rendition of the song typically featured a portrayal of an Irish carman praising the exceptional attributes of his horse.