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Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
An example of dodge & burn effects applied to a digital photograph Dodging and burning are techniques used during the printing process to manipulate the exposure of select areas on a photographic print , deviating from the rest of the image's exposure.
There's nothing necessarily wrong with this photo, but if you get comfortable with a certain photography style (such as portraits), it can be hard to branch out. Most mistakes that photographers ...
Jaggies occur due to the "staircase effect". This is because a line represented in raster mode is approximated by a sequence of pixels. Jaggies can occur for a variety of reasons, the most common being that the output device (display monitor or printer) does not have sufficient resolution to portray a smooth line. [2]
If the images to be rectified are taken from camera pairs without geometric distortion, this calculation can easily be made with a linear transformation.X & Y rotation puts the images on the same plane, scaling makes the image frames be the same size and Z rotation & skew adjustments make the image pixel rows directly line up [citation needed].
The composition techniques in photography are mere guidelines to help beginners capture eye-catching images. These provide a great starting point until an individual is able to outgrow them in capturing images through more advance techniques.
Diffraction spikes are lines radiating from bright light sources, causing what is known as the starburst effect [1] or sunstars [2] in photographs and in vision. They are artifacts caused by light diffracting around the support vanes of the secondary mirror in reflecting telescopes , or edges of non-circular camera apertures , and around ...
Another result of using a wide-angle lens is a greater apparent perspective distortion when the camera is not aligned perpendicularly to the subject: parallel lines converge at the same rate as with a normal lens, but converge more due to the wider total field. For example, buildings appear to be falling backwards much more severely when the ...