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Hayworth was a top glamour girl in the 1940s, a pin-up girl for military servicemen and a beauty icon for women. At 5 ft 6 in (1.68 m) and 120 lb (54 kg), [54] she was tall enough to be a concern for dancing partners such as Fred Astaire. She reportedly changed her hair color eight times in eight movies. [55]
In Marianne Dougherty's article Pin-up Girls, [11] she discusses his modern take on a different step-by-step than in the past, whilst paying respects to the pin-up girls like those Alberto Vargas made famous in the 1940s. His step-by-step describes different iconic looks like the Glamour Bun, Daring Waves, Luxurious Asymmetry, and the Semi ...
The term "sweater girl" was made popular in the 1940s and 1950s to describe Hollywood actresses like Lana Turner, Jayne Mansfield, and Jane Russell, who adopted the popular fashion of wearing tight, form-fitting sweaters that emphasized the woman's bustline. [1] [2] The sweater girl trend was not confined to Hollywood and was viewed with alarm ...
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Betty Grable's famous pin-up photo from 1943. A pin-up model is a model whose mass-produced pictures and photographs have wide appeal within the popular culture of a society. . Pin-up models are usually glamour, actresses, or fashion models whose pictures are intended for informal and aesthetic display, known for being pinned onto a w
LaValley, Satch: "Hollywood and Seventh Avenue: The Impact of Historical Films on Fashion", in Hollywood and History: Costume Design in Film, Los Angeles County Museum of Art/Thames and Hudson, 1987, ISBN 0-500-01422-1; Laver, James: The Concise History of Costume and Fashion, Abrams, 1979.
The AOL.com video experience serves up the best video content from AOL and around the web, curating informative and entertaining snackable videos.
The musical number "The Lady in the Tutti Frutti Hat", performed by Carmen Miranda in the film The Gang's All Here (1943), is one of the most memorable sequences in 1940s Hollywood cinema. Directed by Busby Berkeley, known for his extravagant choreography, the number captures the essence of the visual and performative style that cemented Carmen ...