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Paul Jackson Pollock (/ ˈ p ɒ l ə k /; January 28, 1912 – August 11, 1956) was an American painter.A major figure in the abstract expressionist movement, Pollock was widely noticed for his "drip technique" of pouring or splashing liquid household paint onto a horizontal surface, enabling him to view and paint his canvases from all angles.
One: Number 31, 1950 is a painting by American painter Jackson Pollock, from 1950. It is one of the largest and most prominent examples of the artist's Abstract Expressionist drip-style works. [1] The work was owned by a private collector until 1968 when it was purchased by the Museum of Modern Art, in New York, where it has been displayed ...
For the paint, Pollock chose to use liquid paints. [1] More specifically, they were synthetic resin paints (gloss enamel) [ 2 ] but are referred to as oil paints for classification of the work. On inspection it was grey, brown, white and yellow paint drizzled in a way that many people still perceive as a "dense bird’s nest". [ 3 ]
Autumn Rhythm (Number 30) is a 1950 abstract expressionist painting by American artist Jackson Pollock in the collection of the Metropolitan Museum of Art in New York City. [1] The work is a distinguished example of Pollock's 1947-52 poured-painting style, and is often considered one of his most notable works.
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It was made with oil paint (and an off-white water-based paint) on linen, and is Pollock's largest canvas, measuring 2.43 by 6.04 metres (8 ft 0 in × 19 ft 10 in). The work was commissioned by Peggy Guggenheim for the long entrance hall of her townhouse at 155 East 61st Street in New York City .
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After Pollock's death, Krasner started using the barn as her studio. Barn studio floor. After Krasner died, the property was given to the Stony Brook Foundation which is administered by Stony Brook University. Conservators examined the house and studio. Underneath the Masonite squares, they discovered the original barn floor, covered in stray ...