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The Fun Gallery was an art gallery founded by Patti Astor and Bill Stelling in 1981. The Fun Gallery had a cultural impact until it closed in 1985. [1] As the first art gallery in Manhattan's East Village, it exposed New York to the talents of street art by showcasing graffiti artists like Fab 5 Freddy, Futura 2000, Lee Quiñones, Zephyr, Dondi, Lady Pink, and ERO. [2]
Centre d'Arts Santa Mònica (CASM), more commonly abbreviated as Arts Santa Mònica, is a public venue in Barcelona, opened in 1988, for exhibiting contemporary art. It is located in the Raval side of Rambla de Santa Mònica (Ciutat Vella district). It hosts a number of exhibitions of contemporary Spanish and international artists every year ...
New York/New Wave was an exhibition curated by Diego Cortez in 1981. Held at the Long Island City gallery P.S.1 , it documented the crossover between the downtown art and music scenes. The show featured a coalition of No wave musicians, painters, graffiti artists , poets, and photographers.
The Barcelona Museum of Contemporary Art (Catalan: Museu d'Art Contemporani de Barcelona, IPA: [muˈzɛw ˈðaɾt kuntəmpuˈɾani ðə βəɾsəˈlonə], MACBA, Catalan:) is a contemporary art museum situated in the Plaça dels Àngels, in El Raval neighborhood, Ciutat Vella district, in Barcelona, Catalonia, Spain. The museum opened to the ...
She is best known for documenting the New York City graffiti scene of the 1970s and 1980s. [ 3 ] [ 4 ] In 1984, Cooper and Henry Chalfant published their photographs of New York City graffiti in the book Subway Art , which has been called the graffiti bible [ 2 ] [ 5 ] and, by 2009, had sold half a million copies.
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El Internacional Tapas Bar & Restaurant was conceived as an artistic project and social experiment, carried out between 1984 and 1986 by artist Antoni Miralda [1] [2] and chef Montse Guillén [3] in the Tribeca neighborhood of Manhattan, New York City. It was an initiative which blended contemporary art and cuisine.
As the owner and director of the Mary Boone Gallery, she played an important role in the New York art market of the 1980s. Her first two artists, Julian Schnabel and David Salle, became internationally known, and, in 1982, she was featured in a cover story on New York magazine tagged: "The New Queen of the Art Scene". [2] [3]