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Daniel 2 (the second chapter of the Book of Daniel) tells how Daniel related and interpreted a dream of Nebuchadnezzar II, king of Babylon.In his night dream, the king saw a gigantic statue made of four metals, from its head of gold to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world.
For over two thousand years readers have speculated as to the meaning of the themes running through the Book of Daniel: [16] The four kingdoms: In Daniel 2 Nebuchadnezzar dreams of a giant statue of four metals identified as symbolising kingdoms, and in Daniel 7 Daniel sees a vision of four beasts from the sea, again identified as kingdoms. In ...
The second chapter of the Book of Daniel tells how Daniel interpreted a dream of Nebuchadnezzar, king of Babylon. The king saw a gigantic statue made of four metals, from its gold head to its feet of mingled iron and clay; as he watched, a stone "not cut by human hands" destroyed the statue and became a mountain filling the whole world.
Nebuchadnezzar, Tate impression The Museum of Fine Arts, Boston impression. Probably printed in 1805 The Minneapolis Institute of Art impression. Printed 1795. Nebuchadnezzar is a colour monotype print with additions in ink and watercolour portraying the Old Testament Babylonian king Nebuchadnezzar II by the English poet, painter, and printmaker William Blake.
The original element of the work is a circular disc of clear quartz ("rock crystal"), measuring 11.5 centimetres (4.5 in) in diameter. This is engraved in intaglio with eight scenes depicting the story of Susanna and the Elders, related in the Book of Daniel (but regarded as part of the Apocrypha by Protestants). [2]
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Daniel is praying fervently, he reaches out to the right from the niche while his head turns up to God, the father depicted on the mosaic of the dome. The drapery is flowing in angular folds from the shoulders and across his loin. There are obvious thematic and visual parallels with the statue of Jonah by Lorenzetto in the chapel.
Daniel 3 forms part of a chiasmus (a poetic structure in which the main point or message of a passage is placed in the centre and framed by further repetitions on either side) within Daniel 2–7, paired with Daniel 6, the story of Daniel in the lions' den: [9] A. (2:4b-49) – A dream of four kingdoms replaced by a fifth B. (3:1–30 ...