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For example, the foreground might be in focus while the middle-ground and background are out-of-focus. When avoiding deep focus is used specifically for aesthetic effect—especially when the subject is in sharp focus while the background is noticeably out-of-focus—the technique is known as bokeh. [2]
Space – area that an artist provides for a particular purpose. Space includes the background, foreground and middle ground, and refers to the distances or area(s) around, between, and within things. Texture – the way a three-dimensional work actually feels when touched, or the visual "feel" of a two-dimensional work
Layering is a photographic composition technique that manipulates the foreground, subject or middle-ground, and background layers in a way that they all work together to tell a story through the image. [52] Layers may be incorporated by altering the focal length, distorting the perspective by positioning the camera in a certain spot. [53]
Foreground-background segmentation, a method for studying change blindness using photographs with distinct foreground and background scenery; Foreground detection, a concept in computer vision to detect changes in image sequences; Foreground and background in photography and cinematography, a principle important for
A conventional OTS shot always has at least three layers of depth: the foreground, middle ground and background. [5] [3] The inclusion of a subject’s shoulder, and often the back of their head in the foreground, adds depth to the frame. [2]
For example, if photographing a cityscape with a traffic bollard in the foreground, this approach, termed the object field method by Merklinger, would recommend focusing very close to infinity, and stopping down to make the bollard sharp enough. With this approach, foreground objects cannot always be made perfectly sharp, but the loss of ...
The foreground is in focus, but slightly smudged; the middle ground has sharp, clear edges and well defined subjects, and the background fades into the distance, becoming more and more blurry the farther back the eye travels. He makes the middle ground section more clear, mimicking the effect of a camera.
For example, if you are looking to a building that is in front of you and your eyesight is entirely horizontal then the picture plane is perpendicular to the ground and to the axis of your sight. If you are looking up or down, then the picture plane remains perpendicular to your sight and it changes the 90 degrees angle compared to the ground.