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Narrative psychology is not a single or well-defined theory. It refers to a range of approaches to stories in human life and thought. [3] In narrative psychology, a person's life story becomes a form of identity as how they choose to reflect on, integrate and tell the facts and events of their life not only reflects, but also shapes, who they ...
Charlotte Linde's definition of personal experience narrative is quintessential to the idea of narrative identity and is evidence into how these stories and the process of telling them craft the framework for one's own identity. Personal narrative is a powerful tool for creating, negotiating and displaying the moral standing of the self. The ...
In contemporary literary studies, a theme is a central topic, subject, or message within a narrative. [1] Themes can be divided into two categories: a work's thematic concept is what readers "think the work is about" and its thematic statement being "what the work says about the subject". [2] Themes are often distinguished from premises.
Narratology is the study of narrative and narrative structure and the ways that these affect human perception. [1] The term is an anglicisation of French narratologie, coined by Tzvetan Todorov (Grammaire du Décaméron, 1969). [2]
Narrative is a powerful tool in the transfer, or sharing, of knowledge, one that is bound to cognitive issues of memory, constructed memory, and perceived memory. Jerome Bruner discusses this issue in his 1990 book, Acts of Meaning, where he considers the narrative form as a non-neutral rhetorical account that aims at "illocutionary intentions", or the desire to communicate meaning. [10]
Image theory's weakness was its failure to adequately specify the concept of image. [3] Attempts to specify it led to its replacement by narrative, the definition of which was based upon the work of Walter R. Fisher (1987) in communication theory. Exploration of the definition's implications led to TNT, in which narrative is proposed as the ...
The narrative theory of equilibrium was proposed by Bulgarian narratologist Tzvetan Todorov in 1971. Todorov delineated this theory in an essay entitled The Two Principles of Narrative . The essay claims that all narratives contain the same five formal elements: equilibrium, disruption, recognition, resolution, and new equilibrium.
The word archetype, "original pattern from which copies are made," first entered into English usage in the 1540s. [2] It derives from the Latin noun archetypum, latinization of the Greek noun ἀρχέτυπον (archétypon), whose adjective form is ἀρχέτυπος (archétypos), which means "first-molded", [3] which is a compound of ἀρχή archḗ, "beginning, origin", [4] and ...